Fotos de Atmosphere

Hype Monitor: Memory Tapes, Lover!, Diamond District

The Band: Memory Tapes The Buzz: Ex-member of overlooked Philly punks Hail Social, Dave Hawk writes eerie, mysterious pop songs long on atmosphere and mood. This is no hipper-than-thou niche act: Hawk was recently contacted about remixing a Michael Jackson song for a posthumous collection. Listen If: You’re slowly getting into this whole “chillwave” thing, but wish that chilly meant “spooky” as often as it meant “remote.” Key Track: “Green Knight,” where Hawk’s unnaturaly high voice glides over

Publicado: 2009-10-15 Proveedor: Rolling Stone Etiquetas: Breaking, Hype Monitor

Interpol Backstage at Madison Square Garden: Rolling Stone checks in with the band hours before their debut gig at New York's historic venue

Mon, Sep 17 2007 03:20 PDT Rolling Stone met up with Interpol just after they arrived at their surprisingly posh dressing room backstage at Madison Square Garden. The band recounted a brief history of their favorite dressing rooms. "There was a dressing room in Houston, Texas — it wasn't stylish, but it had atmosphere because it had been used over and over again. It had a little bit of a punk-rock history to it. Very rough around the edges," drummer Sam Fogarino remembered. Photo">

Publicado: 2007-09-18 Proveedor: Rolling Stone

The Shins to Self-Release Fourth Album

Keeping pace with the changing atmosphere of the music industry, the Shins revealed that they would likely self-release their fourth album through frontman James Mercer’s Aural Apothecary label. While the band is looking to make a deal that will allow them to keep their masters, they’re also hoping to partner with a label to help assist with the marketing costs, the Shins’ manager said. That partnering label may be Sub Pop, who released the band’s first three albums. “The Shins have been a huge part of Sub Pop’s story. We’d love to continue working with them,” the label’s general manager Megan Jasper told Billboard. The Shins’ next album isn’t due out until at least 2009. [Photo: Getty]

Publicado: 2008-06-23 Proveedor: Rolling Stone Etiquetas: Rock News

The King Blues pull out of Slam Dunk

The King Blues have been forced to pull out of this year’s Slam Dunk festival due to the imminent birth of frontman Itch’s first child. “We're very, very sorry to announce that we have had to pull out of this year's Slam Dunk Festival,” said the band in an official statement. “It's not a decision we take lightly but there was genuinely nothing we could do about it. “We had an amazing time last year, with some killer bands and a great atmosphere of fantastic kids and we're gutted we won't get to

Publicado: 2010-02-25 Proveedor: Kerrang!

Breaking: The Low Anthem

Who: The Low Anthem, a trio of neo-hippie rockers who, after scoring a slot at Bonnaroo and a gig opening for Ray LaMontagne, have become one of the hottest unsigned bands on the East Coast. With A&R reps flocking to their sold out shows, frontman Ben Knox Miller says, “We can make a living now. Not a luxurious living, but a living.” Sounds Like: Backed by Miller’s Springsteen-esque rasp and multi-instrumentalists Jocie Adams and Jeff Prystowsky, the Low Anthem craft homemade, warm-hearted Americana populated by train workers and road trippers on their second album, Oh My God, Charles Darwin. Recorded on Block Island, Rhode Island, the group adds flourishes of instruments like pump organ, zither and Tibetan singing bowls. Vital Stats: • The trio met at Brown University; Miller and Prystowsky played intramural baseball together and then DJ’d the graveyard shift at a radio station before starting the Low Anthem as a duo. The band’s biggest fan was Adams, who was recruited to join after Miller learned she could play anything from trumpet to viola. • Adams is a classical music-loving nerd who once worked as a researcher at NASA (she studied photochemistry). “I guess you could say I undiscovered [the hydrocarbon] allene in Titan’s atmosphere,” Adams says. Miller jokes, “Can you imagine what it’s like getting her to rock & roll?” • “Everything we listen to is really old: Bob Dylan, Neil Young, Gustav Mahler,” Miller says of the band’s influences. “We’re not into the next big thing.” Hear It Now: Oh My God, Charles Darwin is available now in stores and digital music services. In our Breaking video above, watch Low Anthem perform their song “To the Ghosts That Write History Books.”

Publicado: 2009-02-25 Proveedor: Rolling Stone Etiquetas: Rock News, Breaking

Nine Inch Nails Bring Darkness and Light to Seattle for Tour Opener

After a headling slot at Pemberton on Friday night, Nine Inch Nails kicked off their North American tour with a 21st-century marriage of old-school showmanship and bleeding-edge technology on Saturday. With a crack four-piece band in tow — including NIN stage vets Robin Finck on guitar and Josh Freese on drums — an adrenalized, finely-coifed Trent Reznor tore through a two-hour set that leaned heavily on new material and included several choice classics. • Photos: Nine Inch Nails’ “Lights In the Sky” Tour Launches in Seattle As noted in the tour preview, at least half the show featured the band sandwiched between mesh LED curtains alternating evocative visuals, from falling rain to grainy static to an apocalyptic cityscape. The more obscured the band was by special effects, the more a detached, post-YouTube voyeurism haunted the performance. About an hour in, a solid backdrop descended at the front of the stage and the band — now a four-piece, minus keyboardist Alessandro Cortini — stepped in front of it. Standing at the lip of the stage, with Reznor on vibraphone and Justin Meldal-Johnsen on upright bass, they played a 20-minute, mostly acoustic interlude of songs from NIN’s recent Ghosts I-IV. It was a bold move, settling into a subdued, broken-down cabaret swing that was all atmosphere. Reznor swung the microphone like a weapon and ran the stage like an athlete. Twice during the set he pointed out the fact that this was the “first official night of the tour” — a tour, he said, that’s been ongoing for the last 15 years. He didn’t want it to stop, either: After closing with “Head Like a Hole,” the band returned for a half-hour encore. “Hurt” had the entire crowd singing and a few weeping; “In This Twilight,” from last year’s Year Zero ended the set in a downtrodden — but quintessential NIN — manner. Set List “999,999″ “1,000,000″ “Letting You” “Discipline” “March of the Pigs” “Head Down” “The Frail” “Closer” “Gave Up” “The Warning” “The Great Destroyer” “Ghosts

Publicado: 2008-07-28 Proveedor: Rolling Stone Etiquetas: Rock News, Live Shows, More News

After 15 Years, Leonard Cohen Proves He’s Still Got It in Toronto

Walking into the Sony Centre for Leonard Cohen’s Toronto concert on June 6th people had plenty of reasons to think the show might be a disappointment. The 73-year-old songwriting legend hadn’t performed a single concert in 15 years before this tour kicked off a few weeks back. He’s rarely been seen in public since then, and when he showed up at his Rock and Roll Hall of Fame induction earlier this year he looked pretty meek and refused to perform. Also, it’s quite clear the only reason he agreed to do this tour was the fact his manager stole nearly all his money during his five years Buddhist retreat on Mount Baldy in California and he needed a nest egg for retirement. Yet, like a master bank robber forced out of retirement for one last gigantic score, Cohen poured everything he had into a stunning performance. Cohen walked onstage with a nine-piece band promptly at 8:00, wearing a dark, double-breasted suit and a fedora — he looked like he just stepped out of the Dick Tracy retirement home. From the first seconds of “Dance Me to the End of Love” it was apparent that his deep baritone hadn’t deteriorated a bit since the 1993 tour. It’s a far cry from the tender voice that sang “Suzanne” 40 years ago, but he’s sounded husky for a while now and it suits his dark material perfectly. The band — featuring an amazing Hammond B3 organist and his longtime back-up singer Sharon Robinson — re-created the spooky atmosphere of his albums down to the smallest detail. Cohen played a handful of his 1960s/early-1970s classics such as “Suzanne” and “Bird on a Wire,” but the set list was heavily tilted towards material from the second 20 years of his career. He featured six of the eight songs from 1988’s I’m Your Man, along with five from 1992’s The Future and four from 2000’s Ten New Songs. It was a drag not hearing “Famous Blue Raincoat” o

Publicado: 2008-06-09 Proveedor: Rolling Stone Etiquetas: Rock News, Live Shows, More News

Exclusive: Stream the Entire Les Savy Fav Live Album “After the Balls Drop”

This past New Year’s Eve, while many were staring at Dick Clark or standing frigidly in Times Square, art-punk icons Les Savy Fav were preparing to bring their trademark live performance to a sold-out audience of diehard fans at NY’s Bowery Ballroom, which the band will release as a digital album entitled After the Balls Drop on April 29th. But you don’t have to wait until then to hear the live album, as we’re exclusively streaming the entire affair here. “The atmosphere of the show was unique. Our shows are known for being somewhat unique, so it was sort of a double-down, triple unique,” singer Tim Harrington says of the band’s first live album in their thirteen year tenure. It was a night for the band to delve deep into their catalogue, to bust out live renditions of their then-new album Lets Stay Friends and to play a few choice covers of songs. “We thought, ‘What would a party band do,’ Harrington says of the night. “‘If I were DJing, what songs would I just play that you know everyone would just get psyched on?’” Unfortunately, Harrington’s favorite memory of his band’s post-New Year’s Eve show didn’t make After the Balls Drop, due to right issues: The day before, Harrington went to a wholesale distributor of party supplies in NY’s Chinatown area to purchase about a hundred and twenty three-foot-long tubes that shot out confetti when twisted. The tubes were handed out during that show, and fired in unison during the band’s performance of AC/DC’s “TNT.” “It was such a cacophonous mess. It was like swimming in a sea of confetti, or a Backstreet Boys video on crack,” Harrington remembers. Thankfully, covers of the Misfits‘ “Astro Zombies,” Nirvana’s “Sliver,” Pixies‘ “Debaser” and Creedence’s “Hey Tonight” remained unscathed by legalities. ̶

Publicado: 2008-04-25 Proveedor: Rolling Stone Etiquetas: Rock News

SXSW Day Four Wrap-Up: Jim James, The Breeders, She & Him, Robyn

Follow all of Rolling Stone’s ongoing SXSW coverage — photos, video, interviews and live reports — here. You could see the crowds of 6th Street in the distance from the window of Jim James‘ solo gig, but that was as close as the Mardi Gras atmosphere of SXSW encroached to this special show on the festival’s final night. Inside the music hall of St. David’s Episcopal Church, it was calm as a chamber music recital as the My Morning Jacket frontman performed gorgeous acoustic versions of his band’s most spiritual songs. He put aside his guitar and placed a small keyboard on his lap for the gentle “What a Wonderful Man” from Z, hitting high soulful notes that matched the God-like surroundings. Later he was joined by MMJ guitarist Carl Broemel for a stunning version of “Gideon.” The audience, which had been sitting quietly as church mice for the entire show, exploded into a standing ovation when it was over. Over at Waterloo Park, the Breeders kicked off their set with the droney, pounding “Overglazed” and “Bang On” from their forthcoming album Mountain Battles. The crowd stayed quietly reverent as the Deal sisters debuted some of the more low-key tracks from their first album in seven years (and its most upbeat track, “Walk It Off”), but perked up for their cover of the Beatles’ “Happiness Is a Warm Gun” (off their debut Pod) and Amps tunes like surfy “Tip City” and “Pacer” and went nuts when Kim Deal — who never stopped grinning — strummed her guitar with her thumb for Last Splash’s “No Aloha” and grabbed an acoustic guitar with an electric pick-up for “Cannonball,” bending over to squall into a microphone equipped with a fuzzy filter. Earlier in the afternoon, Zooey Deschanel and M. Ward’s She & Him played their fourth-ever show in the garden of the French Legation Museum.

Publicado: 2008-03-16 Proveedor: Rolling Stone Etiquetas: Rock News, SXSW

SXSW Day Three Wrap-Up: N.E.R.D., The Black Keys, Dizzee Rascal, Does It Offend You, Yeah?

Follow all of Rolling Stone’s ongoing SXSW coverage — photos, video, interviews and live reports — here. It was a surprisingly scorching afternoon in Austin on Friday, but the weather didn’t explain the high number of scantily clad women packed into Stubb’s well after the sun went down to check out N.E.R.D.’s show. Pharrell Williams and Co. took over the outdoor venue with a set that featured a handful of songs from their forthcoming Seeing Sounds and all of the band’s past singles (save “Provider”). The two drum kits — tandem drum solos! — added a large dose of power, and Williams just could not stop darting around the stage. The atmosphere was like an aggressive rock show, complete with guitar solos and Williams calling for mosh pits. The pits may not have materialized, but muthafuckin’ noise was made, hands were waved in the air, and caring, in that respect, was at a minimum. New track “Everyone Nose” manages to make “All the girls standing in the line for the bathroom” a viable chorus, and closer “She Wants to Move” was a strong reminder that “Her ass is a spaceship I want to ride” remains a fantastic lyric. A few hours earlier at the same venue, the Cribs showed signs of shaking off the Strokes comparisons, adding a ferocious attack to older tunes like “Mirror Kissers” and newer ones like “Mens Needs, Womens Needs,” during a short set that was both lean and loose. The Kings of Leon’s Nathan Folowill came to check out MGMT’s extremely well-attended gig, but while the Brooklyn band were stretching out their psych-pop tunes in jammier directions he was raving about the Panics, an Aussie act he’d seen the day prior. “You know how normally when you hear a band you can list the bands that influenced them or that they ripped off straight away?” he asked. “We couldn’t do it for them,

Publicado: 2008-03-15 Proveedor: Rolling Stone Etiquetas: Rock News, SXSW

The Complete John Mayer: Guitarist Delivers Acoustic, Blues-Rock and Latest Persona In One Marathon Show

For his First Annual Holiday Charity Revue Saturday night in Los Angeles, John Mayer brought together the three phases of his career — the solo acoustic work, the blues-rock John Mayer Trio, and his current touring band — into one night. Mayer devoted one set to each format, quipping, “It’s a real honor to be opening for myself,” as he began the acoustic set. “I ran into myself backstage and I was very nice — and, I mean, I’m huge!” Mayer began with an acoustic version of the funky “Neon,” off his major-label debut Room for Squares. The half-hour set’s other high points were gorgeous versions of the rarely played “In Your Atmosphere” and a cover of Tom Petty’s “Free Fallin’” (which he had also performed at Neil Young’s Bridge School Benefit in October) with the two guitarists from Mayer’s touring band. But it was clear from the moment that the John Mayer Trio stepped onstage that their performance, already the most anticipated of the night, would go down as the highlight. Looking dapper in matching black suits and skinny black ties, Mayer, Steve Jordan and Pino Palladino tore through an electric 55-minute set of covers (”Every Day I Have the Blues,” “Wait Until Tomorrow,” “Bold As Love”), originals (”Who Did You Think I Was,” “Out of My Mind,” “Come When I Call”) and tracks from Mayer’s Continuum that originated on the trio’s 2005-2006 tour (”Vultures,” “Good Love is On the Way”). Mayer seemed thrilled and completely at ease, and addressed the recent spike in his tabloid appearances, telling the audience “My problem is not that my hair isn’t done or that I’m on video late at night and not walking straight. The reason it bugs me is that it messes with my message of playing guitar and being creative, and my message of being grateful to all of

Publicado: 2007-12-10 Proveedor: Rolling Stone Etiquetas: Rock News, Live Shows

Vote for Iron Maiden at the Brits!

Iron Maiden have revealed that they have been nominated for best British Live Act at this year's Brit Awards. Fans can vote for the band in this prestigious category, which is supported by BBC Radio Two, on the Brit Awards and BBC websites. Voting begins today, Monday February 2 at 6.10pm and ends Saturday February 7 at 5pm. "Iron Maiden's secret weapon is our fans," say the band. "Anyone who's been to one of our shows knows that they're the most passionate and devoted fans on the planet, making an incredible atmosphere at our shows. "To be nominated for Best Live Act at the Brits is as much a recognition of them as it is of us. So for all of them, Up The Irons!"

Publicado: 2009-02-02 Proveedor: Kerrang!