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Big Country

Disco de Big Country: “Collection, 1982-1988”

Información del disco :
Título: Collection, 1982-1988
Fecha de Publicación:2002-07-23
Tipo:Desconocido
Género:Rock, Mainstream Rock, Adult Alternative
Sello Discográfico:Import
Letras Explícitas:Si
UPC:766483110123
Lista de temas :
1 Harvest Home Video
1 Harvest Home Video
2 In A Big Country Video
2 In A Big Country Video
3 Close Action Video
3 Close Action Video
4 Storm
4 Storm
5 Wonderland Video
5 Wonderland Video
6 Belief In The Small Man Video
6 Belief In The Small Man Video
7 Girl With Grey Eyes Video
7 Girl With Grey Eyes Video
8 Tall Ships Go Video
8 Tall Ships Go Video
9 Steeltown Video
9 Steeltown Video
10 Just A Shadow Video
10 Just A Shadow Video
11 One Great Thing Video
11 One Great Thing Video
12 Seer
12 Seer
13 Rememberance Day Video
13 Rememberance Day Video
14 Sailor Video
14 Sailor Video
15 King of Emotion Video
15 King of Emotion Video
16 Travellers
16 Travellers
17 Thousand Yard Stare Video
17 Thousand Yard Stare Video
Análisis (en inglés) - :
For U.S. fans that might want a little more than the domestic {$Big Country} compilations, {^The Collection 1982-1988} contains their hits and focuses on the bands strongest creative period. There are several B-sides included, most notably the previously vinyl-only {&"Wonderland."} Sequenced chronologically by original release dates, the album opens with four songs that would end up on the quintet's breakthrough debut, {^The Crossing}. In the mix are the attention-getting hit {&"In a Big Country"} and {&"The Storm,"} which opens in an eerily sparse manner before reaching a rousing chorus. Unfortunately, {&"Fields of Fire"} is absent. Another four songs are culled from {^Steeltown} (possibly the band's best album), including the dreamy {&"Girl With Grey Eyes"} and the thunderous title track. {^The Seer} weighs in with four songs as well, but the wonderful {&"Look Away"} is inexplicably left off. Only three songs appear from the relatively weak {^Peace in Our Time}, but two of the best ones are among them; The {$Stones}-like {&"King of Emotion"} and the moody {&"Thousand Yard Stare."} By {^Peace in Our Time}, even long-time fans were beginning to agree with what critics had said since the second album; the band had begun to sound derivative of itself. ~ Tom Demalon, All Music Guide
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