Disco de Christian Death: “Sleepless Nights Live 1990”
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Sleepless Nights Live 1990 |
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Fecha de Publicación:2006-05-09
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Tipo:Desconocido
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Género:Hard Rock, Metal, Goth Rock
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Sello Discográfico:Cleopatra
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Letras Explícitas:No
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UPC:803680183458
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Análisis (en inglés) - AMG :
One of several basically useless bootleg-quality live recordings issued by Christian Death in their sputtering final days, Sleepless Nights Live 1990 is a lot worse than the early-years The Doll's Theatre and a lot better than the utterly abysmal Invocations: 1981-1989. This set features guitarist Rikk Agnew, the band's primary bright spot, alongside singer Rozz Williams and latter-day guitarist Eva O., and a setlist that covers all of the band's records up to that point, including excellent performances of the fan favorites "Figurative Theatre" (which really benefits from the twin-guitar attack) and "Sleepwalk." The problem is that the sound is atrocious. Tinny and far away, the songs basically sound like they were recorded on a Dictaphone from the next room over. Even diehard fans will have trouble overcoming that flaw enough to enjoy the actually not bad performances. ~ Stewart Mason, All Music GuideAnálisis (en inglés) - :
One of several basically useless bootleg-quality live recordings issued by {$Christian Death} in their sputtering final days, {^Sleepless Nights Live 1990} is a lot worse than the early-years {^The Doll's Theatre} and a lot better than the utterly abysmal {^Invocations: 1981-1989}. This set features guitarist {$Rikk Agnew}, the band's primary bright spot, alongside singer {$Rozz Williams} and latter-day guitarist {$Eva O.}, and a setlist that covers all of the band's records up to that point, including excellent performances of the fan favorites {&"Figurative Theatre"} (which really benefits from the twin-guitar attack) and {&"Sleepwalk."} The problem is that the sound is atrocious. Tinny and far away, the songs basically sound like they were recorded on a Dictaphone from the next room over. Even diehard fans will have trouble overcoming that flaw enough to enjoy the actually not bad performances. ~ Stewart Mason, All Music Guide
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