Cradle of Filth

Disco de Cradle of Filth: “Damnation and a Day”

Información del disco :

Título:

Damnation and a Day

Fecha de Publicación:2003-03-25

Tipo:Desconocido

Género:Metal

Sello Discográfico:Sony Music UK

Letras Explícitas:Si

UPC:5099751096320

Lista de temas :
1	I Fantasia Down: A Bruise Upon the Silent Moon
2	I. Fantasia Down: A Promise of Fever (Explicit)
3	I. Fantasia Down: Hurt and Virtue
4	I Fantasia Down: An Enemy Led the Tempest
5	II. Paradise Lost: Damined in Any Language (A Plague on Words) (Explicit)
6	II Paradise Lost: Better to Reign in Hell
7	II Paradise Lost: Serpent Tongue
8	II Paradise Lost: Carrion
9	III. Sewer Side Up: The Mordent Liquor of Tears (Explicit)
10	III. Sewer Side Up: Presents from the Poison-Hearted (Explicit)
11	III Sewer Side Up: Doberman Pharaoh
12	III Sewer Side Up: Babalon A.D. (So Glad for the Madness)
13	IV the Scented Garden: A Scarlet Witch Lit the Season
14	IV the Scented Garden: Mannequin
15	IV the Scented Garden: Thank God for the Suffering
16	IV the Scented Garden: The Smoke of Her Burning
17	IV the Scented Garden: End of Daze

Análisis (en inglés) - AMG :

What if a black metal band with a penchant for performance art and symphony-sized stage shows got a major label to back up and fund its perverted vision of apocalypse? The result would be something like Damnation and a Day, a metal album that features a 40-piece orchestra and 32-piece choir, but is still definitely extreme-sounding and can in no way be viewed as a sellout. Cradle of Filth was called a sellout long before they hooked up with Sony. Hardcore black metalers thought their stage show was too cartoony and Alice Cooper-like. That's true in a way -- the band's delivery of dark music comes filtered through a show that's more Cirque du Soleil than satanic. If any black metal band was ever going to be in league with the Beelzebub-owned music industry, it was Cradle of Filth. So not surprisingly, for their major-label debut the filthy ones have come up with a sprawling, 77-minute-long record. It has some grand-sounding moments and is recorded cleanly, with the symphonic and operatic elements being perhaps its best. But it is endless, and only a true Filth fan could tell one song from another. The song titles include "A Bruise Upon the Silent Moon," "The Promise of Fever," and "The Mordant Liquor of Tears," and obviously they are trying for something truly portentous with Damnation and a Day -- but it's a mess. Perhaps someone more level-headed at the record label or a gifted producer could have turned this into a record with real songs. As it is, it's a taxing, less-than-monumental work that won't win them many new mainstream fans, if that's at all what they had in mind. ~ Adam Bregman, All Music Guide

Análisis (en inglés) - :

What if a {\black metal} band with a penchant for performance art and symphony-sized stage shows got a major label to back up and fund its perverted vision of apocalypse? The result would be something like {^Damnation and a Day}, a {\metal} album that features a 40-piece orchestra and 32-piece choir, but is still definitely extreme-sounding and can in no way be viewed as a sellout. {$Cradle of Filth} was called a sellout long before they hooked up with {@Sony}. {\Hardcore} black metalers thought their stage show was too cartoony and {$Alice Cooper}-like. That's true in a way -- the band's delivery of dark music comes filtered through a show that's more Cirque du Soleil than satanic. If any {\black metal} band was ever going to be in league with the Beelzebub-owned music industry, it was {$Cradle of Filth}. So not surprisingly, for their major-label debut the filthy ones have come up with a sprawling, 77-minute-long record. It has some grand-sounding moments and is recorded cleanly, with the symphonic and operatic elements being perhaps its best. But it is endless, and only a true {$Filth} fan could tell one song from another. The song titles include {&"A Bruise Upon the Silent Moon,"} {&"The Promise of Fever,"} and {&"The Mordant Liquor of Tears,"} and obviously they are trying for something truly portentous with {^Damnation and a Day} -- but it's a mess. Perhaps someone more level-headed at the record label or a gifted producer could have turned this into a record with real songs. As it is, it's a taxing, less-than-monumental work that won't win them many new mainstream fans, if that's at all what they had in mind. ~ Adam Bregman, All Music Guide


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