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Disco de Cypress Hill: “Black Sunday”
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Fecha de Publicación:1993-07-20
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Tipo:Desconocido
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Género:Hip-Hop/Rap, Rock, Hardcore Rap
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Sello Discográfico:Columbia
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Letras Explícitas:Si
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UPC:5099747407529
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Análisis (en inglés) - :
{^Black Sunday} made {$Cypress Hill}'s connection to {\rock & roll} more explicit, with its {\heavy metal}-like artwork and noisier, more dissonant samples (including, naturally, stoner icons {$Black Sabbath}). It's a slightly darker affair than its groundbreaking predecessor, with the threats of violence more urgent and the pot obsession played to the hilt (after all, it was a crucial part of their widespread appeal). Apart from those subtle distinctions, the sound of {^Black Sunday} is pretty much the same as {^Cypress Hill}, refining the group's innovations into an accessible bid for crossover success. In fact, it's a little startling how often {^Black Sunday} recycles musical ideas and even lyrical catch phrases from the endlessly inventive debut. And the {\rock}-derived, verse-chorus song structures start to sound a little formulaic by the end of the record (how many choruses feature {$Sen Dog} repeating part of whatever {$B Real} just said?). But in spite of that, {^Black Sunday} still sounds vital and lively, since the group has a surer sense of craft. Most of the tracks are fleshed out into structured songs, in contrast to the brief sketches that punctuated {^Cypress Hill}. The album benefits immensely from the resulting clutch of excellent singles (and songs that could have been), and while a couple of tracks feel redundant and underdeveloped, {^Black Sunday} is overall a consistent, engaging listen, especially the flawless first half or so. Unfortunately, it's also the group's last great album, thanks to the musical recycling operation that began here and would handicap much of their subsequent work. ~ Steve Huey, All Music Guide
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