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Garbage

Disco de Garbage: “Absolute Garbage”

Disco de Garbage: “Absolute Garbage”
Información del disco :
Título: Absolute Garbage
Fecha de Publicación:2007-07-17
Tipo:Desconocido
Género:Rock, Adult Alternative, Alternative Rock
Sello Discográfico:Warner Bros.
Letras Explícitas:No
UPC:5051442248920
Lista de temas :
1 - 1 .
1 - 2 .
1 - 3 .
1 - 4 .
1 - 5 .
1 - 6 .
1 - 7 .
1 - 8 .
1 - 9 .
1 - 10 .
1 - 11 .
1 - 12 . World Is Not Enough [From the World Is Not Enough]
1 - 13 .
1 - 14 .
1 - 15 .
1 - 16 .
1 - 17 .
1 - 18 . It's All Over But the Crying [Remix]
2 - 1 .
2 - 2 .
2 - 3 . Special (Brothers In Rhythym Remix)
2 - 4 .
2 - 5 .
2 - 6 . Cherry Lips (Go Baby Go!)(roger Sanchez Remix)
2 - 7 . Androgony (Felix Da Housecat Remix)
2 - 8 .
2 - 9 .
2 - 10 .
2 - 11 .
2 - 12 .
2 - 13 .
Análisis (en inglés) - :
Looking back, there is no band that sums up all the myriad '90s trends better than {$Garbage}. They were led by {\alt-rock} superproducer {$Butch Vig}, the man responsible for the production on {$Nirvana}'s {^Nevermind}, but he also helmed classics of the era for {$Sonic Youth}, {$Smashing Pumpkins}, and {$L7}. They were a {\rock} band that indulged in {\noise} and rode a hard backbeat but they were about fluid textures -- a move they learned from {\shoegazers} like {$My Bloody Valentine} and {$Curve} -- so they could ease into {\trip-hop} when rockers started flirting with {\electronica}. They were fronted by {$Shirley Manson}, giving them an entryway not only to the countless Women in {\Rock} pieces, but her Scottish heritage also gave {$Garbage} a tenuous U.K. connection in the days of {\Brit-pop}. They brushed against so many touchstones that they couldn't help but seem a little bit prefabricated, but their music was done with the sharp, crass calculation of a bunch of old studio pros and a singer who had been kicking around since the mid-'80s, when she was in British {\indie} also-rans {$Goodbye Mr. Mackenzie}. {$Garbage} knew how to make records that sounded good and sounded like the times, so when they had their big break they knew how to stay on the charts. And they did, riding the {\post-grunge} wave into the 2000s with albums that charted progressively higher, but not longer, than each previous record, while each new single showed up on many different charts without staying around on the radio as long as those first few hits from their eponymous 1995 debut. In other words, like lots of {\post-grunge} {\alt-rock} bands. they wound up being a one-album wonder with a couple of almost-hits to their credit after the first blockbuster, as the 2007 compilation {^Absolute Garbage} makes clear. Spanning an overly generous 18 tracks -- supplemented on the Deluxe Edition in true '90s fashion with a 13-track bonus remix disc -- {^Absolute Garbage} runs through all the U.S. radio hits and a good selection of international singles, skipping such latter-day singles as {&"Androgyny,"} {&"Breaking Up the Girl,"} {&"Run Baby Run,"} and {&"Sex Is Not the Enemy."} By the time the compilation draws to its close nit-picking over such omissions seems pointless, since it already seems that the comp has lingered far longer than necessary on the last stage of {$Garbage}'s career, erasing the memories of sexy, hooky singles {&"Vow,"} {&"Queer,"} {&"Only Happy When It Rains,"} and {&"Stupid Girl,"} all arriving on the debut and all still sounding sleek and alluring. Which, of course, is kind of the story of their career: they made a big impact at first, but then their studio professionalism overtook their {\pop} instincts. They were still often gripping at a sheer sonic level -- {$Shirley Manson} was a compelling, dynamic performer and {$Vig} and his cohorts surely could construct a fantastic-sounding record. A few more of those moments could have been captured here. ~ Stephen Thomas Erlewine, All Music Guide
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