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Incubus

Disco de Incubus: “Crow Left of the Murder... [Bonus DVD]”

Disco de Incubus: “Crow Left of the Murder... [Bonus DVD]”
Información del disco :
Título: Crow Left of the Murder... [Bonus DVD]
Fecha de Publicación:2004-02-02
Tipo:Desconocido
Género:Rock, Hard Rock, Mainstream Rock
Sello Discográfico:Epic
Letras Explícitas:Si
UPC:5099751504733
Lista de temas :
1 - 1 .
1 - 2 . Crow Left of the Murder
1 - 3 .
1 - 4 .
1 - 5 .
1 - 6 .
1 - 7 .
1 - 8 .
1 - 9 .
1 - 10 .
1 - 11 .
1 - 12 .
1 - 13 .
1 - 14 .
2 - 15 . Lollapalooza [DVD]
2 - 16 . Bridge Benefit [DVD]
2 - 17 . While We Were Out [DVD]
2 - 18 . Brandon's Injury [DVD]
Análisis (en inglés) - :
At the beginning of their career, {$Incubus} were rightly lumped in with the legions of post-{$Korn} {\alt metal}/{\rap-rock} bands swarming America in the latter days of the 20th century. But by their third album, 1999's {^Make Yourself}, they had separated from the pack, as indicated by the presence of producer {$Scott Litt}, best-known for his work with {$R.E.M.}. It signaled that the band was serious, and they began expanding their {\rap-metal} template on that album and its follow-up, 2001's {^Morning View}, completing their transition from juvenelia to maturity with 2003's {^Crow Left of the Murder}. Switching from {$Litt} to producer {$Brendan O'Brien}, a man who has been with {$Pearl Jam} longer than any of their drummers, {$Incubus} has opted for a clean, crisp yet heavy sound which allows them to aggressively switch from crunching metallic riffs to jazzy {\prog} interludes. It's an expansive musical vision charged with some righteous anger; although vocalist {$Brandon Boyd} doesn't write explicit protests, there sure are enough allusions to social turbulence to make this the first politically aware {\alt metal} album in many a year. This maturation is even more evident in the music, how the band actually swings on {&"Zee Deveel,"} or how guitarist {$Michael Einzinger}'s {\jazz}-influenced solos seem both carefully constructed and casually tossed off, or how {$Boyd}'s voice shifts from song to song (or during a song, as on the opening {&"Megalomaniac,"} which sounds like a bizarre blend of {$Mr. Mister}'s {$Richard Page} and {$John Lydon}). All this maturation does mean that {$Incubus} may shed some older fans, since the naked ambitions on this record is far removed from the earnest, angst-ridden earlier records, but so be it -- {^Crow Left of the Murder} is far more interesting than any of their other records or those of their peers. At times, they may stretch themselves a little too far here, but the ambition is admirable and the achievements are tangible -- a real breakthrough for the band. [{^Crow Left of the Murder} was also released in a limited-edition set with a bonus DVD containing a 26-minute documentary featuring footage from the band's {~Lollapalooza} and {~Bridge Benefit} performances, and of {$Boyd}'s injury.] ~ Stephen Thomas Erlewine, All Music Guide
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