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Disco de Killing Joke: “Pandemonium [Bonus Track]”
| Información del disco : |
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| Título: |
Pandemonium [Bonus Track] |
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Fecha de Publicación:2006-06-26
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Tipo:Desconocido
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Género:New Wave, Old School Punk Rock, Alternative Rock
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Sello Discográfico:Teichiku
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Letras Explícitas:Si
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UPC:4988004100895
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| Lista de temas : |
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| 1 |
Pandemonium Video |
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| 1 |
Pandemonium Video |
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| 2 |
Exorcism |
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| 2 |
Exorcism |
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| 3 |
Millenium |
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| 3 |
Millenium |
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| 4 |
Communion Video |
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| 4 |
Communion Video |
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| 5 |
Black Moon |
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| 5 |
Black Moon |
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| 6 |
Labirynth |
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| 6 |
Labirynth |
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| 7 |
Jana |
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| 7 |
Jana |
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| 8 |
Whiteout Video |
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| 8 |
Whiteout Video |
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| 9 |
Pleasures of the Flesh |
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| 9 |
Pleasures of the Flesh |
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| 10 |
Mathematics of Chaos Video |
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| 10 |
Mathematics of Chaos Video |
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| 11 |
Pandemonium [A Thread of Steel in the Suspension Bridge of Time & Space |
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| 11 |
Pandemonium [A Thread of Steel in the Suspension Bridge of Time & Space |
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| 12 |
Another Cult Goes Down (Portobello Mix) |
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| 12 |
Another Cult Goes Down (Portobello Mix) |
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Análisis (en inglés) - :
After the band's lengthiest hiatus since it was founded, {$Killing Joke} returned in 1994 with a new/old lineup and an interesting enough new album. {$Raven}, the group's bassist since the {^Night Time} days, was replaced by original bassist {$Youth}, who produced the album and released it on his label. Compared to the newfound intensity of {^Extremities}, {^Pandemonium} partially steps away from the neo-{\industrial}/{\thrash} of that effort for a more varied, often quite surprising experience. With no one drummer replacing {$Atkins}, the threesome works with a number of performers, {$Coleman} in particular bringing in some of the Egyptian musicians whom he has worked with on a variety of projects, including his collaborative work with {$Anne Dudley}. Noted percussionist {$Hossam Ramzy} takes a key role, replacing the frenetic fire of {$Ferguson}'s work with a subtler, more textured approach, while {$Aboud Abdel}'s violin further gives {^Pandemonium} a haunting edge, aiming to some extent at recreating the epic, mysterious stomp of {$Led Zeppelin}'s {&"Kashmir"} for a newer day. Elsewhere, the straight-ahead rampage of {&"Exorcism"} and {&"Whiteout"} show that {$Killing Joke} hasn't forgotten the power of sheer intensity, and if {$Ferguson}'s sheer power and inventiveness is missed the most here, the results are still a thrilling, fierce listen. The core {$Coleman}/{$Geordie} partnership remains strong, the latter at points holding back on his more scalpel-sharp approach for a thicker, overdubbed flow, sometimes -- as on {&"Jana"} -- finding a friendly, open style that revisits the radio-friendly {\AOR} days of the band without actually sucking. In turn, {$Coleman} slides between his declamatory persona and the closer, more controlled style of later efforts; the combination -- as on the striking, massive wallop of {&"Communion"} -- can be incredible, the contrast between the verses and searing choruses proving captivating. [A Japanese version added a bonus track.] ~ Ned Raggett, All Music Guide
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![Disco de Killing Joke: “Pandemonium [Bonus Track]”](http://www.poprockbands.com/covers_yaK/killing-joke/2006_170_170_Pandemonium%2520%255BBonus%2520Track%255D.jpg "Disco de Killing Joke: “Pandemonium [Bonus Track]”")
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