Disco de Limp Bizkit: “Chocolate Starfish and the Hot Dog Flavored Water”

Descripción (en inglés) :

Limp Bizkit: Fred Durst (vocals); Wes Borland, DJ Lethal, Sam Rivers, John Otto. Additional personnel: Redman, Method Man, Xzibit, Mark Walberg, DMX, Liam Ward, Scott Weiland, Stephan Jenkins, Rob Dyrdek (vocals); Ben Stiller (spoken vocals); Scott Berland (keyboards); Rich Keller (bass). Producers: Scott Weiland, Terry Date, Swizz Beatz, Josh Abraham, Limp Bizkit. Recorded at Larabee Studios East and Westlake Audio, Los Angeles, California; Larabee Studios West, West Hollywood, California; Studio Litho, Seattle, Washington; South Beach Studio, Miami, Florida. Limp Bizkit: Fred Durst (vocals); Wes Borland, DJ Lethal, Sam Rivers, John Otto. Additional personnel: Redman, Method Man, Xzibit, Mark Walberg, DMX, Liam Ward, Scott Weiland, Stephan Jenkins, Rob Dyrdek (vocals); Ben Stiller (spoken vocals); Scott Borland (keyboards); Rich Keller (bass). Producers: Scott Weiland, Terry Date, Swizz Beatz, Josh Abraham, Limp Bizkit. Engineers: Terry Date, Scott Olson, Ted Reiger. Limp Bizkit: Fred Durst (vocals); Wes Borland, DJ Lethal, Sam Rivers, John Otto. Producers: Scott Weiland, Terry Date, Swizz Beatz, Josh Abraham, Limp Bizkit. Recorded at Larabee Studios East and Westlake Audio, Los Angeles, California; Larabee Studios West, West Hollywood, California; Studio Litho, Seattle, Washington; South Beach Studio, Miami, Florida. Some of Limp Bizkit's critics were quick to dismiss the band as a passing fad, and few lead singers seem to be as hated as Fred Durst, but the undeniable facts remain: since rap-metal came into its own, Limp Bizkit have been among the genre's top players. Their much-anticipated follow-up to SIGNIFICANT OTHER treads similar ground, with a few hidden aces to spare. Lyrically, Durst continues to focus on both the frustrations that accompany success (especially in "My Way"), and his mainstay of demanding validation ("Full Nelson.") CHOCOLATE STARFISH has some truly heavyweight production credits, including Terry Date (Pantera, Soundgarden), Andy Wallace (Nirvana, Jeff Buckley), and even the Stone Temple Pilots' Scott Weiland, who co-writes and contributes guest vocals on "Hold On." The House Of Pain groove in "Rollin' (Air Raid Vehicle)" will certainly inspire the "rockers and hip-hoppers" that it calls to arms. Ironically the tracks that seem the most out of place on CHOCOLATE STARFISH are those with guest rapping by Xzibit, DMX, Redman and Method Man. The beats are hot (thanks in part to Swizz Beatz), but conflict somewhat with those tracks featuring aggressive and dynamic live instrumentation. Some of Limp Bizkit's critics were quick to dismiss the band as a passing fad, and few lead singers seem to be as hated as Fred Durst, but the undeniable facts remain: since rap-metal came into its own, Limp Bizkit have been among the genre's top players. Their much-anticipated follow-up to SIGNIFICANT OTHER treads similar ground, with a few hidden aces to spare. Lyrically, Durst continues to focus on both the frustrations that accompany success (especially in "My Way"), and his mainstay of demanding validation ("Full Nelson.") CHOCOLATE STARFISH has some truly heavyweight production credits, including Terry Date (Pantera, Soundgarden), Andy Wallace (Nirvana, Jeff Buckley), and even the Stone Temple Pilots' Scott Weiland, who co-writes and contributes guest vocals on "Hold On." The House Of Pain groove in "Rollin' (Air Raid Vehicle)" will certainly inspire the "rockers and hip-hoppers" that it calls to arms. Ironically the tracks that seem the most out of place on CHOCOLATE STARFISH are those with guest rapping by Xzibit, DMX, Redman and Method Man. The beats are hot (thanks in part to Swizz Beatz), but conflict somewhat with those tracks featuring aggressive and dynamic live instrumentation. Some of Limp Bizkit's critics were quick to dismiss the band as a passing fad, and few lead singers seem to be as hated as Fred Durst, but the undeniable facts remain: since rap-metal came into its own, Limp Bizkit have been among the genre's top players. Their much-anticipated follow-up to SIGNIFICANT OTHER treads similar ground, with a few hidden aces to spare. Lyrically, Durst continues to focus on both the frustrations that accompany success (especially in "My Way"), and his mainstay of demanding validation ("Full Nelson.") CHOCOLATE STARFISH has some truly heavyweight production credits, including Terry Date (Pantera, Soundgarden), Andy Wallace (Nirvana, Jeff Buckley), and even the Stone Temple Pilots' Scott Weiland, who co-writes and contributes guest vocals on "Hold On." The House Of Pain groove in "Rollin' (Air Raid Vehicle)" will certainly inspire the "rockers and hip-hoppers" that it calls to arms. Ironically the tracks that seem the most out of place on CHOCOLATE STARFISH are those with guest rapping by Xzibit, DMX, Redman and Method Man. The beats are hot (thanks in part to Swizz Beatz), but conflict somewhat with those tracks featuring aggressive and dynamic live instrumentation.

Overall, this album was a good one. However, I was slightly disappointed about how little Limp Bizkit has changed.

Now, call me crazy, but I thought LB was going to soften up a bit. Comparing "3 Dollar Bill, Y'all$" to "Significant Other", it seemed that Limp had made a drastic change. There were more melodic songs, some better rhymes, and meanings behind the songs. I noticed that the amount of profane language increased a tad, however. And to tell you the truth, I wasn't very happy. But I say, what the heck? It's a good album.

No matter how many times Fred would say the "F" word in "Significant Other", nothing would change my mind about Limp Bizkit changing. I expected A LOT more melodies, some good rhymes, and a lot less language...

Okay, the melodies were good. Yes, the ryhmes were excellent. But I was absolutely stupified when i heard "Hot Dog". He say the mother of all cusses, what, 48 times? I suppose the next Bizkit (if there is one) will be worse.

This was a great CD, but can't we lay off the cussing?

p.s. to whoever wrote the review saying "Rollin' (UAV)" is the best song: Xzibit isn't in it...he's in "Getcha Groove On"


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