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Disco de Nazareth: “Close Enough for Rock & Roll [Japan Bonus Track]”
| Información del disco : |
| Título: |
Close Enough for Rock & Roll [Japan Bonus Track] |
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Fecha de Publicación:2006-05-30
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Tipo:Desconocido
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Género:Classic Rock, Hard Rock, Metal
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Sello Discográfico:
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Letras Explícitas:Si
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UPC:4571136372058
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| Lista de temas : |
| 1 |
Telegram (Parts 1 2 3 4) |
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| 2 |
Vicki |
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| 3 |
Homesick Again Video |
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| 4 |
Vancouver Shakedown |
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| 5 |
Born Under The Wrong Sign |
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| 6 |
Loretta Video |
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| 7 |
Carry on Feelings |
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| 8 |
Lift The Lid |
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| 9 |
You're the Victim |
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| 10 |
My White Bicycle Video |
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| 11 |
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| 12 |
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| 13 |
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| 14 |
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| 15 |
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| 16 |
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| 17 |
Lift the Lid-Alternate Single Version- (Bonus Tracks) |
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| 18 |
My White Bicycle-Original Version- (Bonus Tracks) |
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| 19 |
Telegram-Edit Version- (Bonus Tracks) |
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Análisis (en inglés) - :
After cornering the {\hard rock} market in 1975 with the international success of {^Hair of the Dog}, {$Nazareth} surprised fans and listeners alike the next year when they traded that style for a softer, more AOR approach on {^Close Enough for Rock & Roll}. The resulting album isn't as successful as their previous one, but is a tuneful affair that offers plenty of highlights for the {$Nazareth} fan. This time out, they go for an across-the-board {\experimental} approach that covers everything from their traditional {\hard rock} to {\country-rock} and even straight {\pop} tunes. The ultimate example of this experimentation is {&"Telegram,"} a four-part {\rock opera} about life on tour for a {\rock} band that starts as a frenzied rocker and ends a piano-led sing-along. Other strong tracks include {&"You're the Violin,"} a {\hard rocking} love song that includes plenty of inventive guitar work to bring its music as love metaphors to life, and {&"Carry Out Feelings,"} a poppy love lament that successfully incorporates a {\reggae} groove into the band's sound. Although {\hard rock} is downplayed in general on this album, {^Close Enough for Rock & Roll} does sport a few sharp rockers: {&"Born Under the Wrong Side"} uses driving voice box guitar riffs to create a menacing atmosphere, and {&"Lift the Lid"} is an effective slice of boogie rock. All in all, {^Close Enough for Rock & Roll} is too unfocused to fully succeed as an album but offers solid tunes and the quality musicianship necessary to back them up. Casual fans may want to pick up the album's radio hits on a compilation, but this album is a worthwhile listen for the hardcore {$Nazareth} addict. [A Japanese version added a bonus track.] ~ Donald A. Guarisco, All Music Guide
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