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Nazareth

Disco de Nazareth: “Close Enough for Rock 'n' Roll [Bonus Tracks]”

Disco de Nazareth: “Close Enough for Rock 'n' Roll [Bonus Tracks]”
Información del disco :
Título: Close Enough for Rock 'n' Roll [Bonus Tracks]
Fecha de Publicación:1998-04-29
Tipo:Desconocido
Género:Classic Rock, Hard Rock, Metal
Sello Discográfico:Essential
Letras Explícitas:Si
UPC:5017615861822
Lista de temas :
1 Telegram: On Your Way/So You Wanna Be A Rock 'N' Roll Star/Sound Check
2 Vicki (Instrumental)
3 Homesick Again Video
4 Vancouver Shakedown
5 Born Under The Wrong Sign
6 Loretta Video
7 Carry Out Feelings Video
8 Lift The Lid
9 You're The Violin
10 Holy Roller [*]
11
12
Análisis (en inglés) - AMG :
After cornering the hard rock market in 1975 with the international success of Hair of the Dog, Nazareth surprised fans and listeners alike the next year when they traded that style for a softer, more AOR approach on Close Enough for Rock & Roll. The resulting album isn't as successful as their previous one, but is a tuneful affair that offers plenty of highlights for the Nazareth fan. This time out, they go for an across-the-board experimental approach that covers everything from their traditional hard rock to country-rock and even straight pop tunes. The ultimate example of this experimentation is "Telegram," a four-part rock opera about life on tour for a rock band that starts as a frenzied rocker and ends a piano-led sing-along. Other strong tracks include "You're the Violin," a hard rocking love song that includes plenty of inventive guitar work to bring its music as love metaphors to life, and "Carry Out Feelings," a poppy love lament that successfully incorporates a reggae groove into the band's sound. Although hard rock is downplayed in general on this album, Close Enough for Rock & Roll does sport a few sharp rockers: "Born Under the Wrong Side" uses driving voice box guitar riffs to create a menacing atmosphere, and "Lift the Lid" is an effective slice of boogie rock. All in all, Close Enough for Rock & Roll is too unfocused to fully succeed as an album but offers solid tunes and the quality musicianship necessary to back them up. Casual fans may want to pick up the album's radio hits on a compilation, but this album is a worthwhile listen for the hardcore Nazareth addict. ~ Donald A. Guarisco, All Music Guide
Análisis (en inglés) - :
After cornering the {\hard rock} market in 1975 with the international success of {^Hair of the Dog}, {$Nazareth} surprised fans and listeners alike the next year when they traded that style for a softer, more AOR approach on {^Close Enough for Rock & Roll}. The resulting album isn't as successful as their previous one, but is a tuneful affair that offers plenty of highlights for the {$Nazareth} fan. This time out, they go for an across-the-board {\experimental} approach that covers everything from their traditional {\hard rock} to {\country-rock} and even straight {\pop} tunes. The ultimate example of this experimentation is {&"Telegram,"} a four-part {\rock opera} about life on tour for a {\rock} band that starts as a frenzied rocker and ends a piano-led sing-along. Other strong tracks include {&"You're the Violin,"} a {\hard rocking} love song that includes plenty of inventive guitar work to bring its music as love metaphors to life, and {&"Carry Out Feelings,"} a poppy love lament that successfully incorporates a {\reggae} groove into the band's sound. Although {\hard rock} is downplayed in general on this album, {^Close Enough for Rock & Roll} does sport a few sharp rockers: {&"Born Under the Wrong Side"} uses driving voice box guitar riffs to create a menacing atmosphere, and {&"Lift the Lid"} is an effective slice of boogie rock. All in all, {^Close Enough for Rock & Roll} is too unfocused to fully succeed as an album but offers solid tunes and the quality musicianship necessary to back them up. Casual fans may want to pick up the album's radio hits on a compilation, but this album is a worthwhile listen for the hardcore {$Nazareth} addict. ~ Donald A. Guarisco, All Music Guide
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