Panic! At the Disco pictures with tag: news

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Picture: News Ticker: Voodoo Festival, Velvet Revolver and Live Nation

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Lil Wayne, Death Cab For Cutie Highlight Full Voodoo Festival Lineup

New Orleans’ Voodoo Festival, set to hit the Big Easy October 24-26, has revealed its full performer line-up. In addition to the headliners R.E.M., Nine Inch Nails and Stone Temple Pilots, Death Cab for Cutie, Panic at the Disco, Erykah Badu and N’Awlins prodigal son Lil Waynein will play in the more mainstream Le Ritual section of the festival. Much like the city itself, the Voodoo Festival is split into three distinct sections. The Le Flambeau area will feature music more in tune with the hometown sounds of New Orleans with sets by Ivan Neville’s Dumpstaphunk, the Blind Boys of Alabama, Dirty Dozen Brass Band and the New Orleans Jazz Orchestra. The third section, Le Carnival, will feature a bunch of Big Easy indie bands, burlesque shows and circus acts. It’s like a three-day Mardi Gras over in that Le Carnival section. Hit the jump for the complete list of all the performers playing Voodoo. New Orleans Voodoo Festival 2008 R.E.M. Nine Inch Nails Stone Temple Pilots Lil Wayne Erykah Badu Dashboard Confessional Shudder to Think Death Cab For Cutie DeVotchKa The Gutter Twins Cold War Kids Wyclef Jean Panic At the Disco King Britt Tribute to Sister Gertrude Sharon Jones and the Dap Kings Reverend Horton Heat Lupe Fiasco Joss Stone Man Man Thievery Corporation Ghostland Observatory Manchester Orchestra Old 97’s Joseph Arthur Colour Revolt Tokyo Police Club Innerpartysystem The Vettes Big Blue Marble Sons of Willia Walter Wolfman Washington Trombone Shorty and Orleans Avenue Kermit Ruffins and the BBQ Swingers Marc Broussard Ozomatli Reunited w/ Chali 2na Rebirth Brass Band Ivan Neville’s Dumpstaphunk Blind Boys of Alabama Preservation Hall Jazz Band with Marva Wright New Orleans Jazz Orchestra Cowboy Mouth The Iguanas Bonerama Big Sam’s Funky Nation Deacon John’s Tribute to New Orleans R&B featuring Wardell Quezerque Marva Wright Soul Rebels Dirty Dozen Brass Band Treme Brass Band DJ Soul Sister John Boutte Rockie

Published: 2008-07-10
Provider: Rolling Stone
Keywords: Rock News, Festivals

Panic at the Disco Debut Stripped-Down Set, Sound on Honda Civic Tour

There were some jarring product placements at the opening night of Panic at the Disco’s North American outing — even for something called the Honda Civic Tour. Motion City Soundtrack, the Hush Sound and Phantom Planet opened, and between sets automobile commercials alternated with videos from acts on the record label that distributes PATD’s music. (Click here for photos from last night’s show.) The Las Vegas quartet finally took the stage more than two and a half hours after the show began, opening with the salutary “We’re So Starving” and the current hit “Nine in the Afternoon.” The band alternated considerably less aggressive versions of tracks from A Fever You Can’t Sweat Out with stripped-down selections from its elaborate new album Pretty. Odd. Whether it was first-night jitters, a lack of sufficient rehearsal time, or the simple fact that their music is dependent on dozens of overdubs both from themselves and a myriad of outside players, Panic’s live presence was decidedly tentative. Drummer Spencer Smith proved himself the most confident musician: While other members cautiously approached what was essentially an entire set comprised of new and daunting arrangements, he supplied a momentum otherwise lacking from older album tracks like “Camisado” and intricate new cuts like “She’s a Handsome Woman.” Singer Brendon Urie furrowed and arched his brow to signify emotions he couldn’t fully articulate with hands occupied with guitars, while guitarist Ryan Ross looked uncomfortable and affable bassist Jon Walker acted as spokesman. Despite the fact that Panic had traded its burlesque dancers, frilly costumes and androgynous makeup for muted beige outfits and facial hair, the largely teenage and female audience screamed as if attending a boy-band spectacle. And to some degree, they were: Walker chided Urie for taking a sip from a beer, as the frontman was two days shy of his twenty-first birthday; an event Smith won’t celebrate for several m

Published: 2008-04-11
Provider: Rolling Stone
Keywords: Rock News, Live Shows

Picture: Nelly, Panic Bassist, Cee-Lo And Kevin Smith Playing Poker Together? What Are The Odds?!

Picture: VMAs Video: Are Panic at the Disco Depressed? Why Do Paramore Blog?

Backstage With Panic at the Disco: “Give the Jonas Brothers a Beer”

The visitor’s locker room is like home to Panic at the Disco. It’s their dressing room at the Staples Center arena in Los Angeles, and there is the usual spread of chips, salsa and a big jug of Johnny Walker Red, all to help with the idle hours before showtime as Christmas lights blink in the corner. But the band is thinking about making music again. Panic bassist Jon Walker sits on a miniature amp with an electric guitar and begins strumming John Lennon’s “Imagine.” Guitarist Ryan Ross sits next to him in a pink tie and purple blazer, chewing on a bagel, but he soon moves to a small drum kit to tap out an anxious beat. “It’s funny how when you’re on tour you don’t really play music that much,” says Walker, “so we’re trying to make that happen again.” (Click above for exclusive backstage footage of Panic at the Disco). The October 10 date in L.A. is only the fourth night of a tour with Dashboard Confessional, Plain White T’s and the Cab, the first live road trip sponsored by the Rock Band video game. And Panic is keeping miniature amps, a little jazzman’s drum kit and a couple of guitars in their dressing room to work on songs for the next album, a follow-up to this year’s classic rock and pop-influenced Pretty. Odd. Another crucial bit of equipment are the burning the candles they bring to every arena locker room, says Walker. “Candles are a big must in arenas when the night before there were 40 Detroit Red Wings in the dressing room sweating it out.” Singer Brendon Urie sips a beer and drummer Spencer Smith is fresh from the shower. The band spent the last few weeks back and forth between their home base of Las Vegas and California — rehearsing at home, then out to L.A. to shoot a video for “Northern Downpour,” a few days of rehearsal and a show in San Diego, L.A. again for Last Call with Carson Daly, back to Vegas, Phoenix, Vegas and now in downtown L.A. In a few hours would be the tour’s first show to include Panic’s big video wall. “We’re going to film the sho

Published: 2008-10-15
Provider: Rolling Stone
Keywords: Rock News, Live Shows, Videos, More News

Picture: Panic At The Disco Exclusives: Sneak-Peek 'Afternoon' Video, Hear Song

Picture: Maroon 5, Fergie Rule iTunes’ 2007 Chart, Panic! Sets Album Release Date, Lily Allen Covers ELO and More

In the Studio: Panic! at the Disco (With Bonus Pete Wentz Video Interview)

Panic! at the Disco guitarist-lyricist Ryan Ross is tired of computer-tuned vocals and software-tweaked drums. “People have taken technology so far, to the point where music is almost sterile these days,” he says from the studio in Las Vegas’ Palms Hotel, taking a break from recording sessions for the band’s second album. “With all those old rock & roll records, you can really feel there’s a character to them, because it was played by real people. I feel like a lot of that’s missing now.” It’s a common argument these days, but Ross is an odd person to be making it: His own band’s platinum debut, the Fall Out Boy-plus-synth-style A Fever You Can’t Sweat Out, was a prime offender, overflowing with maxed-out pitch-correction and baroque Pro Tools trickery. “That’s a valid point,” Ross says. “That record is basically programmed to a T. I mean, everything is lined up and perfect.” Click here to watch Pete Wentz talk about the new Panic! songs he’s heard so far, his favorite new lyrics and how he’s watched the band grow up and evolve. For their second album, everything is different: The band is writing songs on acoustic guitars, not on computers. And even though the group members have a far higher budget at their disposal than the $10,000 they spent on the first one, they’re recording the album live in the studio. “We do take after take until we get it right,” Ross says. “It’s a lot harder, but it’s making us play better.” They were still in high school when they recorded Fever, and it seems like they’re faintly embarrassed by it: “I think that everybody kind of changes a lot between the time they’re seventeen and when they’re twenty-one or twenty-two,” says Ross. The growing process hasn’t been easy. The band discarded ten or so songs for what would have been an entirely different v

Published: 2007-11-17
Provider: Rolling Stone
Keywords: Rock News, In the Studio