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Pete Wentz Adds the Latest Piece to the Panic! at the Disco Puzzle

Last week, Panic! at the Disco released a snippet of what they told their fans was “something for all of your patience over the last year.” The prize was a ninety-second clip from a new song called “We’re So Starving” that the band admitted would “undergo some change” when they headed to Abbey Road Studios this month to finish their sophomore record, due in March. Fast forward to yesterday, when Pete Wentz (who signed the over-the-top Vegas quartet to his Decaydance imprint) put up a blog entry in defense of his pals: “Not too sure that anyone gets that the new Panic! song is a joke,” he wrote. “Sell me a sense of humor. The new record is different than whatever you are thinking.” What led to Wentz’s latest defense of the band? A chronology of recent Panic! developments (and a possible solution to the latest puzzle) after the jump. December 12th: After going completely blank, Panic! at the Disco’s official site is replaced by a Wheel of Fortune-style puzzle, solved two days later with the words “You Don’t Have to Worry.” On the same day, an open call for extras goes up for the video accompanying the new single, “Nine in the Afternoon,” which they performed live at several gigs during ‘07. December 18th: A jigsaw puzzle appears on Panicatthedisco.com, along with a timestamp referring to 01:01:08. Speculation mounts that an announcement is coming in the new year and rumors begin circulating that the band is headlining the 2008 Honda Civic Tour. December 22nd: Pete Wentz posts a photo from the set of “Nine in the Afternoon” and says “this band has blown me away again.” December 25th: As a Christmas surprise, the puzzle pieces on the official site are updated with short clips of a new song. January 1st: Panic’s MySpace is updated with “We’re So Starving.” The song is a marked change from the band’s sma

Published: 2008-01-08
Provider: Rolling Stone
Keywords: Rock News

Picture: Interview Panic at the Disco at RollingStone.com!

Panic! At the Disco’s Ryan Ross Talks New Album As He Turns Legal at Pete Wentz’s Bar

Last night Panic! at the Disco’s Ryan Ross turned twenty-one in New York City at Angels and Kings, the East Village “dive bar” owned by labelmates Fall Out Boy, Gym Class Heroes, the Academy Is …, Cobra Starship and their management, Crush. Ross was in town between last weekend’s gigs at the Reading and Leeds festivals and this weekend’s Bumbershoot Music and Arts Festival in Seattle. After that, it’s back to work on the band’s sophomore disc, which is Ross’ main focus: “We’re trying to finish up in the next month, month and a half,” he says. After Bumbershoot and San Diego Street Scene at the end of September the band plans to head into the studio with a release slated for February or March of 2008. The scene at the bar last night was suitably carnival-esque for the dramatic Panic! guitarist. Ross’ girlfriend, Keltie Colleen (of Pussycat Dolls-esque troupe Sugar and Spice) planned the ordeal: She hung mini versions of Ross’ high school yearbook photo (which she found on the Internet) from the ceiling by ribbon, commissioned Ross’ friends to wear T-shirts sporting the image of a twelve-year-old Ross holding a fish, and planned her own midnight surprise: having fellow Sugar and Spice members wheel her out in a wrapped box. Though Ross and his bandmates chose not to invest in Angels and Kings when it opened because they were underage, the band is now halfway to legality (singer Brendan Urie and drummer Spencer Smith still have to hit the twenty-one milestone) and Ross says its possible the band would buy into the investment in the future. Some of the current owners were also in attendance last night: Gym Class Heroes’ Travis McCoy, whose band is heading out on the Young Wild Things Tour with Fall Out Boy this fall, and Gabe Saporta and Ryland Blackinton of Cobra Starship, whose next album comes out October 23rd.

Published: 2007-09-01
Provider: Rolling Stone
Keywords: Rock News

Panic at the Disco Debut Stripped-Down Set, Sound on Honda Civic Tour

There were some jarring product placements at the opening night of Panic at the Disco’s North American outing — even for something called the Honda Civic Tour. Motion City Soundtrack, the Hush Sound and Phantom Planet opened, and between sets automobile commercials alternated with videos from acts on the record label that distributes PATD’s music. (Click here for photos from last night’s show.) The Las Vegas quartet finally took the stage more than two and a half hours after the show began, opening with the salutary “We’re So Starving” and the current hit “Nine in the Afternoon.” The band alternated considerably less aggressive versions of tracks from A Fever You Can’t Sweat Out with stripped-down selections from its elaborate new album Pretty. Odd. Whether it was first-night jitters, a lack of sufficient rehearsal time, or the simple fact that their music is dependent on dozens of overdubs both from themselves and a myriad of outside players, Panic’s live presence was decidedly tentative. Drummer Spencer Smith proved himself the most confident musician: While other members cautiously approached what was essentially an entire set comprised of new and daunting arrangements, he supplied a momentum otherwise lacking from older album tracks like “Camisado” and intricate new cuts like “She’s a Handsome Woman.” Singer Brendon Urie furrowed and arched his brow to signify emotions he couldn’t fully articulate with hands occupied with guitars, while guitarist Ryan Ross looked uncomfortable and affable bassist Jon Walker acted as spokesman. Despite the fact that Panic had traded its burlesque dancers, frilly costumes and androgynous makeup for muted beige outfits and facial hair, the largely teenage and female audience screamed as if attending a boy-band spectacle. And to some degree, they were: Walker chided Urie for taking a sip from a beer, as the frontman was two days shy of his twenty-first birthday; an event Smith won’t celebrate for several m

Published: 2008-04-11
Provider: Rolling Stone
Keywords: Rock News, Live Shows

Picture: Photo Gallery: Paramore, Snoop Dogg and Others at Bamboozle 2008

Picture: Panic At The Disco Know Punctuation Better Than They Think.

In the Studio: Panic! at the Disco (With Bonus Pete Wentz Video Interview)

Panic! at the Disco guitarist-lyricist Ryan Ross is tired of computer-tuned vocals and software-tweaked drums. “People have taken technology so far, to the point where music is almost sterile these days,” he says from the studio in Las Vegas’ Palms Hotel, taking a break from recording sessions for the band’s second album. “With all those old rock & roll records, you can really feel there’s a character to them, because it was played by real people. I feel like a lot of that’s missing now.” It’s a common argument these days, but Ross is an odd person to be making it: His own band’s platinum debut, the Fall Out Boy-plus-synth-style A Fever You Can’t Sweat Out, was a prime offender, overflowing with maxed-out pitch-correction and baroque Pro Tools trickery. “That’s a valid point,” Ross says. “That record is basically programmed to a T. I mean, everything is lined up and perfect.” Click here to watch Pete Wentz talk about the new Panic! songs he’s heard so far, his favorite new lyrics and how he’s watched the band grow up and evolve. For their second album, everything is different: The band is writing songs on acoustic guitars, not on computers. And even though the group members have a far higher budget at their disposal than the $10,000 they spent on the first one, they’re recording the album live in the studio. “We do take after take until we get it right,” Ross says. “It’s a lot harder, but it’s making us play better.” They were still in high school when they recorded Fever, and it seems like they’re faintly embarrassed by it: “I think that everybody kind of changes a lot between the time they’re seventeen and when they’re twenty-one or twenty-two,” says Ross. The growing process hasn’t been easy. The band discarded ten or so songs for what would have been an entirely different v

Published: 2007-11-17
Provider: Rolling Stone
Keywords: Rock News, In the Studio