Disco de Public Image Ltd.: “Greatest Hits, So Far”

Surely after the disbanding of "The Sex Pistols" few would have put money on singer "John Lydon / Johnny Rotten", setting up a

'Post-Punk' band, from the ashes of his first band. But then John Lydon was always about confounding the publics perceptions. So with World music / Worldbeat / Alternative bassist "Jah Wobble" (Who would be later sacked from the band), PiL is an amalgamation of early post-punk, Dub-rock, Alternative Dance & (later on) Pop/Rock.

First and formost, It must be noted that this is a 'Singles' collection more than anything, and thus forgoes consistency in favour of popular hits or singles tracks. So the collection of songs is understandably diverse and a little erratic. Although that's not to say that the singles in question are anything less than excellent choices, in fact it's surprising how well these singles stand up under close inspection considering how old some of them are (late 70's - Early 80's).

The First Track, "Public Image" is closer to the fiercer rockier side of the band that first emerged, with chugging guitars, rapid drumming and John Lydon shrieking with lyrical contempt "Two sides to every story, Somebody had to stop me, I'm not the same as when I began, I will not be treated as property" shows that his disdain of the establishment hadn't completely deserted him, when the Sex Pistols split. In fact this is one of the songs that is like a closest relative to the pistols work. Urgent, conformational, short and to the point noise rock!!. Sure, it's no replacement for the Pistols, and it certainly isn't Punk, but that rough & ready Angst-ridden alternative sound isn't too hard to discern.

If there's a particular stand out track, then for me, it's unquestionably got to be "Careering", a particularly exemplary example of Dub-Rock / Alternative Dance, that takes a sublime slow tempo slap-heavy bass (courtesy of 'Jah wobble'), brooding percussion, and scattershot electronics, which sound like thousands of metallic ball bearings hitting sheets of aluminium. and a shouty-sung dancey aesthetic that belies it's easy to miss seriousness of lyrics, with Lydon yelping "A face is raining, Across the border, The pride of history' The same as murder, Is this living, He's been careering!!", its a stunning juxtaposition of articulate lyrics mixed with the bouncy post-punk, dance sensibility, that earmarks some of the genres finest tracks, and went on to feature on several Post-Punk compilations.

"This is not a love Song" begins to show the transition of the band into a more accessible Alternative Pop/Rock, Alternative Dance group (much to the cargin of fans of their early material). And yet if you (like me), You are happy to take the music on its own merits, (as opposed to worrying about it's lack "Sticking it to the Establishment" approach from before). Then the introduction of a more refined and less abrasive sound Lydon won't disappoint, as well the use of a horn section, spiky guitars, and a far more FM Rock orientated sound. (Not strictly FM rock, as such, but certainly something that had more chance of being played on the radio, then their early work). But maybe its Lydon's reluctance to completely give in to the general public, because although the lyrics were less confrontational, they still retained that sarcasm that Lydon is famous for, with the lyric "I'm adaptable and I like my new role, I'm getting better and better, And I have a new goal, I'm changing my ways, where money applies" being a particularly Lydon-ish moment.

"Rise" is possibly one of the biggest concessions to refining a more accessible sound. And the single I remember most, on hearing it being playlisted on the radio on its first release. But actually a song that seems to touch up social/racial injustice with Lydon firing up unifying lyrics like : "I could be wrong I could be right, I could be black I could be white...", over looping guitars, keyboard and droning synths, showed that the transition to something that could make an entry into the musical charts was complete (possibly to subvert from within the pop/rock industry??), and although this is the point that they admittedly attracted a new audience with it's more rhythmic sounding instrumentation, largely broader musical scope and less confrontational lyrics (this song was actually the track I remember most, when I first heard PiL), It probably had their intital audience moving elsewhere, but the repeated shouting of "Anger is an Energy" showed that Lydon hadn't completely forgotten his past.

So there you have it, It's not a complete summary of the band by any means, and there are almost certainly omissions in track selection. And as been previously mentioned in the reviews below, is the the albums lurches wildly from Experimental Dub-rock track one minute, to Post-Punk throwdown the next, without much consideration for what went before. Plus not forgetting that the album feels largely in two distinct halves. The early Post/Experimental Punk/Rock & Art-Rock work, and the later, Alternative Pop/Rock & Dance sounding tracks, which may alienate early or later adopters to their music. But then this collection was never designed with them in mind. and they should seek out the individual albums.

So bearing in mind these criticisms, why is this release getting 5-Star's??....simple, because if your not concerned with their musical transitions, and how they were then, or how they are now. This is a fantastic singles collection full stop. There's some truly superb material here, irrespective of whether its : Dub, Noise-Rock, Art-Rock, aggressive Rock, Alternative Dance, or any of the other multitude of genres the band touched upon. PiL enthusiasts may want to overlook this release in favour for the studio albums, but the rest of us (especially those relatively new to the band), will find this to be an excellent primer for their work.


	Política de privacidad Condiciones de Uso Contacte con Nosotros