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Disco de Slade: “You Boyz Make Big Noize”
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You Boyz Make Big Noize |
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Fecha de Publicación:1987-01-01
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Tipo:Desconocido
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Género:Hard Rock
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Sello Discográfico:Union Square
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Letras Explícitas:Si
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UPC:0698458811127
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Análisis (en inglés) - :
{$Slade} gets the shaft. Maybe because of jealousy (like {%Hugh Hefner}) or who knows why, these British boyz are nuked by the mainstream, metalheads, critics, and America. Well, I'm proclaiming my allegiance and membership as a Slademanian because slabs by {$Slade} constantly deliver the goods. In 1987, the quartet still gives great noize 20-odd years after forming as {$the 'N Betweens}. Every track here stomps out a variation on the {$Slade} theme of {&"Sing Shout (Knock Yourself Out)."} Take raging opener {&"Love Is Like a Rock,"} which didn't fair any better commercially for the boyz than the tune did for awesome originators {$Donnie Iris and the Cruisers}; this class cut remains an ace way to kick off the album because {&"Love"} is, like, so {$Slade} in the first place (they should have spelled the title wrong on the sleeve). {$Slade}'s headiest daze long gone, the band amazingly squeezes out sparks like {&"Still the Same"} (not {$Bob Segar}'s pap, {$Slade} wrote the rest of the record.): always tunefully tight, but loose enough to sing in the pub. {&"Fools Go Crazy"} evokes some longing but still burns. And {$Slade}'s never afraid to ask you to rock along (just don't break {$Noddy}'s heart). {&"Ooh La La in L.A."} is, naturally, another anthemic and trashy barnstormer. {&"Roaring Silence"} swipes its opening from {$Simple Minds}, but who cares. Face facts, {$AC/DC} stole {$Slade}'s shtick all those years ago and now can't write its way out of a six pack, while these crazee boyz are still having fun slinging crisp chops and heavy hooks. Kudos. That's what {$Slade} is for. ~ Doug Stone, All Music GuideAnálisis (en inglés) - :
{$Slade} gets the shaft. Maybe because of jealousy (like {%Hugh Hefner}) or who knows why, these British boyz are nuked by the mainstream, metalheads, critics, and America. Well, I'm proclaiming my allegiance and membership as a Slademanian because slabs by {$Slade} constantly deliver the goods. In 1987, the quartet still gives great noize 20-odd years after forming as {$the 'N Betweens}. Every track here stomps out a variation on the {$Slade} theme of {&"Sing Shout (Knock Yourself Out)."} Take raging opener {&"Love Is Like a Rock,"} which didn't fair any better commercially for the boyz than the tune did for awesome originators {$Donnie Iris and the Cruisers}; this class cut remains an ace way to kick off the album because {&"Love"} is, like, so {$Slade} in the first place (they should have spelled the title wrong on the sleeve). {$Slade}'s headiest daze long gone, the band amazingly squeezes out sparks like {&"Still the Same"} (not {$Bob Segar}'s pap, {$Slade} wrote the rest of the record.): always tunefully tight, but loose enough to sing in the pub. {&"Fools Go Crazy"} evokes some longing but still burns. And {$Slade}'s never afraid to ask you to rock along (just don't break {$Noddy}'s heart). {&"Ooh La La in L.A."} is, naturally, another anthemic and trashy barnstormer. {&"Roaring Silence"} swipes its opening from {$Simple Minds}, but who cares. Face facts, {$AC/DC} stole {$Slade}'s shtick all those years ago and now can't write its way out of a six pack, while these crazee boyz are still having fun slinging crisp chops and heavy hooks. Kudos. That's what {$Slade} is for. [A Japanese version included bonus tracks.] ~ Doug Stone, All Music Guide
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