In 2006, record label Salvo Music announced that the entire collection of Slade was going to be remastered and expanded. Each album came out with some fantastic liner notes, perfect remastering and bonus tracks that consisted usually of b-sides. Some of these b-sides had never been released officially on CD and therefore many fans were over the moon when they were finally released. In March 2007, the compilation B-Sides was released which featured the entire b-side work from Slade. This fantastic release features two discs and a great booklet which details each track. Disc one focuses on the b-sides of 1969-1977 whilst disc two is based on 1977-1991.
Disc one opens with One Way Hotel was the b-side to the 1969 single Wild Winds Are Blowing, also appearing on the band`s 1970 album Play It Loud. This strong track is a good example of Slade's mature sound before the rising of glam rock. A simple but effective guitar riff is present throughout the song. This riff carries some strong vocal through the verses whilst the chorus is rather anthemic and features a fantastic 60s sound. Lyrically, this song tells the tale of a man's madness, based around a hotel. This version slightly differs from the album version as the guitar here is slightly different, with a slight jazz influence. "The case of another man was opened and the contents were lying on the floor. I could tell by his face he's a man like myself that's for sure..."
C'mon C'mon was originally the b-side to the cover single The Shape of Things To Come from 1970. This song is a rarely heard gem is a blasting rock track but again different to the Slade's output in the glam rock period. The song opens with a lively and melodic guitar riff, backed by some solid acoustic guitar. Noddy's vocals are strong throughout the verses with a catchy little chant at the end of each line. Acoustic guitar carries the vocals whilst the lead guitar weaves itself throughout the lines. The chorus is naturally anthemic and memorable. A good example of the band's talent for writing catchy material. "We got no need to worry, got no need to hurry, certain to win, certain to win. If the end is in sight, it's the end of the fight, de-la-lee-li..."
Do You Want Me was the b-side to the band's breakthrough single Get Down and Get With It from 1971. This b-side features the rare co-writing credit to guitarist Dave Hill and is one of the most unusual Slade b-sides, bursting with raw atmosphere. Simple percussions opens the track, followed by a strong guitar riff and bassline. Noddy's vocals in the verses are rather unusual sounding and are rather high pitched, backed only by a simple bass drum beat. The chorus is more Slade sounding with some great raw vocals, a great guitar riff and backing vocals. Lyrically, this song is heavily suggestive and risqué, describing sexual desire. After the original Slade broke up, Slade 2 recorded a new version of the track in 1993. "Just the way you move, you, seems to turn me on. Stockings black and slender, ooh, what I want, yeah. Always gets me higher, when you stroke my palm. Gotta keep me level, ooh, keep control, yeah..."
The Gospel According To Rasputin was the second b-side for the band's breakthrough single Get Down and Get With It from 1971. Again this track features the rare co-writing credit to Hill. A simple guitar riff opens the track, followed by an anthemic vocal section which leads into the main guitar riff. After a second group vocal, the main verse features some strong vocal from Noddy. A great lead guitar solo is featured near the ending. Lyrically, the song is rather dark, referring to the devil whilst mentioning black cats and a hint at witches. Overall, the use of group vocal and instrumentation here is fantastic. A unique track from Slade. "Give all your loving, give all your loving to the devil in the dark now. I love my pray's young, they are my sound, white women burn thee all around..."
My Life Is Natural was originally the b-side to Slade's first UK chart topper Coz I Luv You from 1971. The track begins with some melodic acoustic guitar, powerful guitar chords and some interesting lyrics, certainly different to the usual lyrical theme from Slade at the time. What makes the track very Slade though is the chorus which smashes in with fantastic lead guitar and Noddy's powerful vocal. Like much of the material on from this point in Slade's career, the track is raw and energetic. "They try to suss their bodies evil and what is good, will take a mind brighter than mine. To start to setting the world to right is gonna take another Christ now..."
Candidate was originally the b-side to Slade's 1972 hit Look Wot You Dun. This track has a huge 60s influence throughout. An effective melody starts the track off with some simple but effective guitar and a solid bass line. An impressive feature of this track is the use of backing vocals that occur with lines at the start of a verse or at the end of the chorus. The entire band performs the vocals together perfectly which gives this track an even bigger 60s sound. "What we really want is some way to adjust, all the values that we have been left to trust. I just can't believe they are real, very real, far from real..."
Wonderin' Y which was the original b-side to another UK number one single Take Me Bak `Ome, also from 1972. This track is one of the great ballads that Slade liked to occasionally release for their fans. The track shows some fine guitar and a set of personal lyrics. Noddy sings with emotion whilst the instruments carry the vocals along perfectly which allows the lyrics to sound even more powerful. The chorus flows in nicely with the line "I tried to love you" which shows the band could be emotional as well as fun whilst keeping the song memorable at the same time. "Here I am in the same old clothes, looking back on my life. Cause I'm left alone, left out here without a home..."
Man Who Speeks Evil was the original b-side to the 1972 number one single Mama Weer All Crazee Now. This song features some angry sounding guitar and a thumping bass line whilst the lyrics are just as powerful. There are many features in this track from more great backing vocals to some rather detailed lyrics following the ways of a certain `evil' man. The track proves Slade had a very different sound outside of the their singles and albums. "His mind is hurt so with grief, he sits and watches the grass or leaves. He can tell when a new one grows he can and watches as maggots flee from the throat of a dead man..."
Jim Lea's I Won't Let It 'Appen Agen was the b-side to the 1972 single Gudbuy T'Jane but also features on the Slayed? album. This track has plenty of Slade power with a thunderous bass line and some fantastically sharp vocals by Noddy. The chorus flows brilliantly with the vocals going the extra mile to make this track memorable. Another fine Dave Hill solo appears and immediately after Noddy blasts out the chorus once again. A strong track which would be Lea's last solo composition until Slade's 1991 hit single Radio Wall of Sound. "I won't sing, I won't shout if you throw me out. I'll just go on my way with nothing to say..."
I'm Mee I'm Now and That's Orl was the original b-side to Slade's 1973 UK chart topper Cum On Feel The Noize. This b-side is in the similar vein to Slade's 70s rocking and anthemic output. Strong rhythm and a great guitar riff open this song. Noddy's vocals are powerful throughout the verses, backed by strong guitar. The chorus is simple but effective, consisting of strong guitar and vocals that repeat the song title. Following the second chorus is a strong anthemic section which features great vocals, thunderous percussion, brilliant guitar and some backing vocal. This particular section may actually be the official chorus but this remains unclear throughout. A strong and solid b-side overall. "Everybody's telling me we're insane, anything goes wrong we always get the blame. We know what we're thinking when the ladies winking, sure must count for something if they know your name..."
Kill 'Em At The Hot Club Tonite was originally the b-side to the 1973 number one single Skweeze Me, Pleeze Me. This song has a big novelty sound to it, inspired by a mixture of Django Reinhardt, Stéphane Grappelli and the sound of the 1920s decade. The song opens with some unusual but effective guitar, interesting percussion and a solid bassline. The verses feature some solid vocals from Noddy and some interesting lyrics that refers to the 70s era nicely. An effective chorus follows with a hint of backing vocal and a solid bassline to lead the vocals. Electric violin also makes an appearance in the track, the first time since the 1971 single Coz I Luv You. This violin carves a fine melody after the first chorus whilst the second chorus features some great backing vocal. The ending features more of a showcase for the Lea`s violin skill, ending the track nicely with the final chorus. An interesting song that was originally considered to be the follow-up single to Cum On Feel The Noize. "You'll get over me, I'll get over you, the only time we'll meet is when we really fancy. A ride in my car, pick up my guitar, you think that saying sorry is the only answer..."
My Town was the b-side to the 1973 single My Friend Stan but also featured on the album Old New Borrowed and Blue. The song immediately opens with some strong vocal from Noddy, backed by a solid guitar riff. The verses flow perfectly and melodically whilst the chorus features some great vocals an memorable lyrics. These lyrics refer to the band being on-the-road with some lines being suggestive. Some strong backing vocals are featured throughout and a simple but effective guitar solo is present. Powell's percussion is consistently strong throughout the track. A strong track that has a strong sense of raw energy throughout. "Gotta find some way outta this town tonight. There's a hot shooting mama gonna crack your skull on sight. She keeps a-hanging on to your tail, makes it hurt and makes you wail. You been hiding, you been aching, get ready to fight..."
Don't Blame Me is a rather notable song in Slade's career. Apart from being included on Old New Borrowed and Blue, it was the original b-side to Slade's Merry Xmas Everybody single. This very song alone proves just how far Noddy's vocal can go. The song opens with a blistering scream from Noddy, followed by a simple guitar riff. The first verse features some powerful vocal, backed by a rock `n' roll influenced guitar riff. A short guitar solo follows the first two verses which works nicely. Another solo is featured before the ending which features a breathtaking vocal performance from Noddy. This is a simple song overall, a fun rock track. The vocals on this recording show just how loud Slade were despite the vocals here being completely over the top. "I gotta heart and a soul, I gotta mind of my own, and my spine ain't weak, I gotta lazy streak. Lately I said I've been a winner, ladies they all cook my dinner, I'm set free, I said don't blame me..."
She Did It To Me is a ballad themed song that was originally the b-side to the 1974 single The Bangin' Man. The song opens with a heartfelt piano melody which leads into the verses. A simple piano riff carries Noddy's sensitive vocal along nicely but the main highlight is the chorus. The chorus is a grand mixture of fantastic vocal, strong piano, effective percussion and harmonic backing vocals. For the second verse, harmonic backing vocals continue. A fantastic guitar solo from Hill is featured in this track. The ending features some strong guitar and harmonic vocal to close the track nicely. The lyrics are brilliantly effective and heartfelt throughout with hints at the effect of infidelity. Overall, a strong song that could be linked with Slade's Everyday song. "Anytime you feel a little pain, anytime you want to talk again. Cause I knew that soon we'd dry, Everyday will tell you why, and for old times sake we'll meet up in the rain..." and "Cause I knew you hadn't planned everyday so understand, when you're tired of sugar dad, will I be here?" are two examples of the emotional lyrics.
O.K. Yesterday Was Yesterday was the b-side to Slade's 1974 single Far Far Away and also featured on the album Slade In Flame. This strong rocker features some great slide guitar, rare use of cowbells and a nice guitar melody. Noddy's vocals are thoroughly strong and the lyrics are slightly tongue in cheek but also fun and infectious at the same time. The chorus arrives in the usual Slade format with a great anthemic feel and some great vocals. A great Slade rocker. "All young boys play with their toys, call it a teddy bear. Girls instead take theirs to bed to keep it from getting scared..."
So Far So Good was the b-side to Slade's single How Does It Feel? from 1974 and also featured on the album Slade In Flame. This song has elements of both being a rocker and a ballad all at once, something found on other tracks from this period in Slade's career as well. Slade prove themselves more than capable of performing this great mixture of sound. There's a friendly guitar riff throughout but the lyrics shine out here especially in the chorus. Noddy's lyrics reference having the right attitude of life and are rather inspiring. The vocals also reflect the feelings of this message, making this track all more powerful. "Was it all in the mind? Is it living the life of a King? Making the best out of everything?"
Raining In My Champagne was originally the b-side to the 1975 single Thanks For The Memory. This track shows Slade at their loudest and most energetic. The song opens with a great guitar riff which leads to the first verse. Here, the verses are catchy with some rather over-powering vocals from Noddy. A strong chorus follows with some great backing vocals, strong guitar and an anthemic feel. Along with the up tempo melody, the lyrics work nicely and are basically a lot of fun, marking what Slade are all about. Following a short guitar solo and some memorable chanting is some of Noddy's most powerful vocals of all time which is during the third verse. "I got a hole burning in my pocket, I got a guitar that wants to rock. I got a tune and I wanna sock it with electrical shock, yeah..."
Can You Just Imagine? was the b-side to the 1975 single In For a Penny. This tremendous b-side opens with a melodic piano riff and some great guitar licks. The verses flow with the melodic piano and some strong vocals from Noddy. Solid lead guitar appears in the memorable chorus before leading to the next verse where the guitar weaves around the lyrics. This song's lyrics refer to the making of the band's 1975 film Flame which makes the song interesting throughout. A nice guitar solo is included which is followed by more strong vocals. The ending of this track features a big jazzy influence with some lightweight piano, silly lyrics and humourous vocals. "Can you just imagine being there on the screen? Until you've tried it how can you tell? Can you understand that someone had to come clean? It goes to show you never can tell..."
When The Chips Are Down was the b-side to the single Let's Call It Quits from 1976. This song begins with a strong guitar riff and hard hitting percussion. The verses flow nicely with the mix of strong vocals, effective guitar riff and a great bassline. A strong chorus flows nicely and remains infectious with some great lead vocals. The lyrics refer to life in the wild west time which works perfectly with the guitar. From the chorus, a great guitar solo follows before leading back into the main song riff. Part of this solo section also appears at the ending of the track which closes the song nicely. "When the chips are down, when the chips are down, there's a coyote a-howling and the sheriffs get a-pounding in every town..."
L.A. Jinx was the b-side to Slade's 1976 flop single Nobody's Fool and also featured on the album Nobody's Fools. This fantastic track is further proof of the band's great musicianship, particularly on this album. The song opens with some strong double-tracked guitar and a brilliant bassline which lasts the song throughout. The verses flow nicely with some strong vocals and lyrics that tell of the bad luck the band always seemed to get when in Los Angeles. For the chorus, a crunching guitar riff is present with some memorable lyrics. After the second chorus comes a strong guitar solo which features a catchy chant from Noddy. The song ends with more fantastic lead guitar and the song's great bassline. A rather strong rocker with a hint of atmosphere, making this song a unique track in Slade's career. "Cause the L.A. jinx is all over and now I've found me a four leafed clover. I got myself a rabbit's paw and a horseshoe over the door..."
The final track of disc one is Forest Full of Needles which was the b-side to the single Gypsy Roadhog from 1977. A strong b-side overall that begins with a great guitar riff. The verses flow beautifully with some interesting lyrics and a strong vocal performance, backed by a great guitar riff. A memorable chorus follows with some solid backing vocals and some background organ. A fantastic guitar solo follows the second chorus whilst the ending features solo organ that fades out. The lyrics of this track refer to the dilemma of choosing between right and wrong. "There's a main line to destruction, only two miles to hell's gate. There's a hypnotic reaction to the destiny of fate..." and "There's a side road to salvation, said to lead to heaven's door. There'll be mighty falls of empires, battles lost and won at war..." are two strong examples of the lyrics.
The opener of disc two is Ready Steady Kids which was the b-side to the failed 1977 single Burning In The Heat of Love. This song opens with a crunching guitar melody whilst the verses feature some strong vocals and some weaving guitar. The chorus features some powerful lead vocals from Noddy and has a huge anthemic feel. The ending features an interesting guitar riff, making a strong closing. The lyrics could be interpreted as a comment on the youth of the time whom most would have been into the punk music of the time. On the other hand, it may have been directed at Slade's American audience based on when the band toured there. "Any old plantation on a hot summer's night, there's a sweet smell of grass in the air, yes sir. All them cops is letting off steam and are flying like kites, you can tell by the glass in their glare, yes sir..."
O.H.M.S. was the b-side to the 1977 single My Baby Left Me which features some fantastic energy throughout. This track opens with a boisterous guitar riff whilst the verses feature strong vocal and some great backing vocals. The chorus features a great amount of backing vocal and energy, making a memorable song overall. A strong track which is fully powerful and energetic throughout. The rough production helps create a rather moody sound. Lyrically, this song refers to the evil ways of the Taxman which the band's musical and vocal performance truly make the lyrics rather intimating. "Miners graft in the black, but you try working in that, Mr. Tax, Mr. Tax, Mr. Tax. If I pay all of my dues with these holes in my shoes, just relax off our backs Mr. Tax..."
Daddio was originally the b-side to the failed 1978 single Give Us a Goal. The entire track has a swing influence whilst maintaining a rock image. The track opens with a rather jazzy sounding guitar riff which leads into the first verse. Noddy's vocals are strong throughout the verse which is backed by more melodic guitar. The chorus is memorable, fun and has a great sing-a-long feel. A catchy chant is included twice in the track which adds to the strength of this unique Slade track. The lyrics refer to a heavy gambler and remain fun throughout. A good example of what wonderful and unusual tracks lie on the b-sides of many Slade singles. "Daddio do the nasty, Daddio don't come home. Daddio's working on a seven year itch, Daddio's a ready to roam..." and "A two timer once, a two timer twice, a two timer Daddio is loading up the dice. He make a work, you make a deal, you make a living outta spinning that wheel..." are two examples of the fun lyrics.
It's Alright Buy Me was the b-side to the band's little known single Rock 'N' Roll Bolero from 1978. A strong opening with a solid guitar riff and great percussion. The verses flow perfectly with some strong lead vocals. A brilliant chorus follows which features some great vocals and a underlining guitar riff. The second verse features a weaving guitar line that works perfectly. The lyrics of this track refer to the life on the road, probably in the point of view of Slade when they were touring. A brilliant guitar solo is present whilst the ending features a nice guitar section. A strong but heavily underrated b-side. "Three way lanes and aeroplanes, lonely hotel rooms. Burger stands and new wave bands, forty radio tunes..."
Not Tonight Josephine is a strong rock track with the honour of being the b-side of two singles - 1979's Sign of The Times and 1981's Wheels Ain't Coming Down. This song features an eccentric guitar riff whilst the fun and witty lyrics are said to refer to a hero returning home to enjoy domestic pleasures. Noddy's vocals make the track even more lively. Another hidden and sadly forgotten b-side which has finally been revealed once again. "So keep it safe and keep it warm, don't you let it stray, a little bit of loving goes a long long way. Cool, calm, collected, erected and injected, have no fear my pretty one you'll get what is expected..."
Funk Punk & Junk was originally the b-side of the 1982 single Ruby Red. This track is very different to the rest of the album. Here the production sounds different and the actual sound certainly differs. The introduction features a strong guitar riff whilst Noddy's vocals are very rough sounding. The verses flow nicely whilst the chorus is loud and energetic. This song recalls the same sound as the band's 1977 album Whatever Happened To Slade. "The papers give you the build up, a sell out in every town. It's all well and good at the top of the tree, what goes up has gotta come down..."
Keep Your Hands Off My Power Supply was the b-side to Slade`s 1983/1984 hit single My Oh My and also appeared on the 1984 album of the same name, released in the American region and not in Europe. This track features some grand sound effects, a brilliant bass line from Jim Lea and some rather sly sounding guitar. Noddy throws lines through the verse whilst the chorus picks up with a truly excellent sound of heavy guitar and frantic drumming. Noddy's vocals in the pre-chorus and chorus are extremely excitingly paced. The lyrics refer a drunk driver asking his passenger not to grope him while he's being followed by the police. "I ain't ready to face the law, I ain't running and that's for sure, maybe they'll just want an autograph..."
Don't Tame a Hurricane was the b-side to the 12" single of My Oh My and also featured on the album Keep Your Hands Off My Power Supply. This track is a fantastic rocker with great guitar throughout and some interesting lyrics of a larger than life character to keep any listener hooked. Noddy's blasts out the vocals without taking a breath throughout this track - a truly underrated vocalist and this track is a perfect example of Noddy's gifted voice. Also a good example of Slade's mid-80s rock sound. "He's ever ready to catch the cheetah, you know the leopard don't change it's spots. He's the international cocktail who'll end up on the rocks..."
Two Track Stereo One Track Mind was the original b-side to the 1984 hit single Run Runaway and is a more back to basics sound whilst still maintaining the band's 80s rock style. There's some fantastic guitar work present whilst Noddy's lyrics are jokingly referring to a girl who listens to music through headphones during intercourse, no doubt referencing the fast moving technology of the modern age. A great example of the hidden gems Slade had as b-sides. "They get in the way of talking and it don't sound the same when you have to shout sweet nothing's..." and "She'd be late for a date on purpose - making sure that she keeps you waiting while she makes up another new face..." are two examples of the wittiness in the lyrics.
Here's To... was the original b-side to the 1984 hit single All Join Hands. The track is a reworking of their 1976 hit Thanks For The Memory with as always a great sing-a-long chorus backed by some grand sounding synthesizer. Noddy's vocals are rather humorous and work well with the lyrics whilst the chorus follows the traditional Slade fashion. "Hey lads and lasses come raise up your glasses, make sure they're filled up to the hilt. Going on the brink again, buy me a drink then I'll show you what's under my kilt..."
Leave Them Girls Alone was the b-side of the failed 1985 single 7 Year Bitch. The track was shamefully kept as a b-side despite being hit single material. A tremendously catchy chant right from the beginning whilst the verses show bassist Jim Lea and Noddy exchanging lines. The chorus is greatly infectious and is a perfect example of Slade's own anthemic sing-a-long choruses. The energy is fantastic throughout and the lyrics work perfectly with the melody. "On the town I know there's luck to kill - don't do anything against your will. Overloaded and you still want more, much more than I've ever felt before..."
Mama Nature Is a Rocker was the original b-side to the 1985 single Myzsterious Mizster Jones. A ZZ Top sound alike which features some interesting and witty lyrics over the top of a huge bouncy synthesizer melody. Noddy sounds like he is having fun with the track and the chorus blasts out of the song perfectly. Along with the production, this track sounds very 80s whilst maintaining Slade's usual sound of great energy. This track makes a worthwhile listen. "Mama nature is a rocker, every day comes up with something new. She turns the day out into night time, she can curse and turn the grey sky blue..."
The Swing Version of My Oh My was originally the b-side to the 1985 charity single Do You Believe in Miracles?. This track is unique to Slade's work unlike anything expected from the group. This version features full brass backing from the Monty Babson Big Band. The entire track has a great jazz and swing influence with a novelty sound to it. Noddy's vocals work amazingly well and just show his versatility as a vocalist. An interesting and unexpected take on My Oh My. "I believe in woman, my oh my..."
Gotta Go Home was the original b-side to the 1987 failed single Still The Same. This track has a fantastically catchy guitar riff with high speed sound and some great vocals from Noddy. The chorus here has the usual Slade mould - anthemic and catchy. Slade proved they could still pull off the original rocking Slade sound without the use of synthesizers. "All dolled up in your birthday suit, you've just gotta wear a smile, oh, when your headlights flash, talking about you - really going out in style..."
Don't Talk To Me About Love was originally an extra b-side to the commemorative double pack of Still The Same which celebrated the band`s 21st anniversary. This track gives Jim Lea a chance at lead vocals with Noddy joining in at the chorus. A fun track with another great and very groovy sounding riff. Jim Lea's vocals here work well with the fun lyrics. From the verse, a huge anthemic chorus follows which features Noddy belting out the song's title over some hard sounding guitar. "Oh boy how you dance, there's ants in your pants. With my kind of luck, a chance of a duck is just half a chance."
Wild Wild Party was the b-side to the failed 1987 single That's What Friends Are For. A memorable guitar riff is present here whilst there's a huge sing-a-long chorus with the usual Slade sound. The verses are strongly sung by Noddy and are just as memorable as the chorus. Another showcase for the band's great talent of writing and performing good time party anthems. "More and more, them people at the door, someone tell me what to do. The way they're dressed is getting less and less. What's good for me is good for you..."
The Instrumental Version of You Boyz Make Big Noize was the b-side to the You Boyz Make Big Noize single from 1987. This track is exactly the same as the original version minus all the vocals. A good track for those who want to admire the music and production within this track or for those who want to do karaoke. This is one of the very few officially released instrumental versions that exist for Slade's material. A nice extra for the bonus tracks on the album.
Lay Your Love On The Line was the b-side to the Radio Wall of Sound single from 1991 and features writing credit to guitarist Dave Hill and Bill Hunt who was keyboardist from glam rock group Wizzard. This incredible rocker starts with a rather mood guitar riff which leads into the first verse. The verses show Noddy's vocal on top form and at it`s sharpest, backed by strong guitar and thunderous percussion. The chorus features some great backing vocal and is overall memorable. Naturally, a brilliant guitar solo is included. Lyrically, the song refers to the heartache of desperately wanting a certain person who probably doesn`t feel the same way. This song itself proved that Slade were far from a spent force. "I've seen the world and I know what I'm after. One look from you and my heart's a disaster. And every dream I've dreamed would take your breath away..."
The closing track of disc two is Red Hot which was the b-side to Slade's final single Universe from 1991 and again features writing credit to Hill and Hunt. Rather like Lay Your Love on the Line, this fantastic track follows the same rocking pattern. A fantastically strong guitar riff opens the track, complete with some female backing vocal behind the guitar. The verses show more sharp vocal from Noddy whilst the chorus is very memorable and features some fantastic vocal. A great guitar solo follows the second chorus whilst an interesting section follows, featuring some interesting sound effects. Lyrically, the song refers to a rather wild female character. Another example of Slade returning to their rock sound but sadly, the band split soon after this single. Slade 2 recorded their own version of this track in 1993. "The girl is hot, don't you make no mistake, there ain't know time, left for a second take. She moves around, she's known in every place, you try it on she's laughing in your face..."
On the whole I highly recommend this compilation to any rock fan. It is this compilation that features the entire work of Slade's b-sides, all remastered perfectly, making the tracks sound fantastic all these years later. A total of forty tracks makes just over two hours of listening time. Of these forty tracks, five are exclusive to this compilation and were not available as bonus tracks on the album remasters. The booklet for the compilation features track details from writer Chris Ingham who does a great job at providing wonderful insight into the band's work. This release is in digipak form where the album has a cardboard surrounding that opens out to reveal both discs. The tracks on the album range from many styles of rock which shows nicely on this compilation. As a listener progresses through this compilation, the band's musical style slowly changes which provides great variety throughout. A long awaited but worthwhile compilation.
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