Steely Dan Album: “Countdown to Ecstasy [Remaster]”
![Steely Dan Album: “Countdown to Ecstasy [Remaster]” Steely Dan Album: “Countdown to Ecstasy [Remaster]”](http://www.poprockbands.com/covers_prS/steely-dan/1998_170_170_Countdown%2520to%2520Ecstasy%2520%255BRemaster%255D.jpg) Description :
Steely Dan: Walter Becker (vocals, harmonica, bass instrument); Donald Fagen (vocals, piano, electric piano, synthesizer); Jeff "Skunk" Baxter (guitar, pedal steel guitar); Denny Dias (guitar); Jim Hodder (drums, percussion, background vocals).
<p>Additional personnel: Ben Benay (acoustic guitar); Rick Derringer (slide guitar); Ernie Watts, Johnny Rotella, Lanny Morgan, Bill Perkins (saxophone); Victor Feldman (vibraphone, marimba, percussion); Ray Brown (12-string bass).
<p>Liner Note Authors: Walter Becker; Donald Fagen.
<p>Recording information: Village Recorder, Santa Monica, California.
<p>Riding high on the success of their debut CAN'T BUY A THRILL, Steely Dan put together what was, on the surface, their most commercial and straightforward album. "Bodhisattva," for example, which opens the album, works a driving, jump-blues groove that seems at odds with the band's laid-back, jazz inclinations. The heavy, bluesy stomp of "The Boston Rag" and the slinky, edgy boogie of "Show Biz Kids" may make it seem as though Steely Dan was vying for favor with their more roots-oriented pop-rock contemporaries.
<p>Nothing could be further from the truth, however. COUNTDOWN TO ECSTACY is more ambitious, complex, and layered than its predecessor, with a heavier dose of jazz fusion, more subtle and textured arrangements, and an even higher level of studio craftsmanship. Both "Razor Boy" and "Your Gold Teeth" demonstrate flashes of Latin flavor-- marimba-driven bop in the former, and salsa-cum-lounge jazz in the latter. The presence of session musicians--drummer Jim Hodder and guitarists Jeff Baxter and Denny Diaz--fleshes out Donald Fagen and Walter Becker's superb songwriting and playing, making for an excellent and overlooked addition to the band's catalogue.
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Track Listing :
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Album Information :
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Countdown to Ecstasy [Remaster] |
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UPC:008811188726
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Format:CD
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Type:Performer
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Genre:Rock & Pop
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Artist:Steely Dan
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Guest Artists:Ernie Watts; Rick Derringer; Victor Feldman
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Producer:Gary Katz
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Label:MCA Records (USA)
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Distributed:Universal Distribution
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Release Date:1998/11/17
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Original Release Year:1973
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Discs:1
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Recording:Analog
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Mixing:Digital
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Mastering:Digital
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Length:41:25
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Mono / Stereo:Stereo
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Studio / Live:Studio
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46 of 51 people found the following review helpful:
- If you want to hear Steely Dan rock...
Is it possible there is someone for whom Two Against Nature will be their first Steely Dan record? If so, this one should be their next. Before Aja, Steely Dan actually was more rock than jazz, and this album (along with Royal Scam) was the deepest into hard rock they would ever go.
I would submit "Bodhisatva" is the ultimate jazz-rock fusion number, fuzz tones and great "air guitar" lines over a truly swinging beat. They also hit their pop-rock peak with "My Old School" and their country-rock peak with "Pearl of the Quarter." "Your Gold Teeth" is a cool jazz-rock jam. "Show Biz Kids" is hard to classify, but it's got some great slide guitar.
Fast-forwarding 27 years to the smooth textures of 2 v. Nature, you can see that Steely Dan of today is not the same band it was in 1973. In fact, by the time of "Aja," just four years later, they'd abandoned this path, abolishing the fuzz tone forever. Perhaps this music has a more juvenile sound to it, rock being by definition more "childish" than jazz. But "Countdown to Ecstasy" is by no means a lesser achievement.
"zregime" (People's Republic of Maryland) - March 01, 2000
15 of 15 people found the following review helpful:
- Pop Sweet Kids
How many lonely nights did this album get me through?
How many long road trips were made shorter by this album?
How many hangovers were turned from unbearable to tolerable by this album?
Many, many, many...
It might be hard to understand for you East Coast/Left Coast types, but being a Dan fan in Montana circa 1975 was a very cool, private, exclusive thang. Oh, we were seen as weird, all right...embracing this music that was not country, not Z.Z. Top, not the Bee Gees. And whenever we tried to proselytize, the first thing we always heard was, "I don't like the singer's voice. It's weird."
So we just dug the Dan. They broke through on the radio in Great Falls, MT (!) with "Do It Again" but nobody else got too excited. For us, though, Can't Buy A Thrill provoked the same kind of aural excitement I later felt the first time I heard the Sex Pistols. This was honest-to-God NEW MUSIC. We wore out the Thrill vinyl and waited for the next release -- and, we assumed, the next radio hit.
Well, the album arrived and the hit didn't. We had no clue what this 2nd Dan album contained. We were too scared -- not to mention financially challenged -- to take a flyer on an album we hadn't heard at all.
It was Todd who finally bellied up to the bar and bought the 8-track and played it for us on his maxo-cheapo stereo. The sound was so bad, we thought the girlie backups in "Show Biz Kids" were singing "pop sweet kids."
But now we're older and more affluent...and Pop Sweet Kids is the perfect description. Countdown to Ecstasy is a perfect pop album -- years ahead of its time, for sure -- and if I ever get to hear a disc's worth of lyrics that are as memorable as this one...I'll pinch my aged self to make sure I ain't dead.
"Well I've been around the world And I've been in the Washington Zoo And in all my travels As the facts unravel I've found this to be true"
"I walked alone down the Miracle Mile I met my baby by the Shrine of the Martyr... She loved the million-dollar words I'd say She loved the candy and the flowers that I bought her.."
Martyr...bought her? Only Fagen could pull off a rhyme like that and make it sound perfect.
"Song-cycles" were the big thing in '70s "progressive" albums...the artist(s) had a grand vision that we peons were only too privileged to glimpse, as long as we laid down the cash. Countdown is still one of my 10 Desert Island Discs because it's so anti-that. So anti-Svengali. So anti-Werner Erhard. So anti-"I've got everything figured out." Even today, when I punch this beauty in, Fagen comes across as by turns amused ("My Old School"), bitter ("Show Biz Kids" -- THEY GOT THE STEELY DAN T-SHIRTS), remorseful ("The Boston Rag"), weary ("Pearl of the Quarter"), and wise ("Bodhisattva")...but never preachy and overbearing. Except for "King Of The World", which seems to me just a song that parroted the "nuclear scare" groupthink of the time, complete with synths that sound like game-show background music. Reagan took care of that problem...
But "King" doesn't stop me from loving this album like my wife. In our current remote-control/switch-off-what-you-don't like society, Countdown gets The Full Monty, start to finish, whenever it's selected from my collection.
In fact, I'm gonna put it on right now...
11 of 11 people found the following review helpful:
- When Steely Dan was a Group, not a Project
Although a commercial failure as the follow up to "Can't Buy a Thrill", "Countdown to Ecstacy" is, to me, the only album where Steely Dan was more than a project for Walter Becker and Donald Fagan. Later albums would produce bigger hits and sell better as Becker and Fagan brought in the best studio musicians of the day, but those albums lack a cohesive theme and feel disjointed when viewed as a whole.
"Countdown" is a great album because it represents 5 guys working together as a unit to produce great music.
11 of 11 people found the following review helpful:
- Still King of World After All This Time
I bought this album to enjoy Show Biz Kids, a cool funkie piece, that remains one my favorites. After many years, I forgot how tight King of World sounded. A fine showcase for serious electric guitar sound mixing. This was a great Steely Dan CD that was under appreciated when it was initially released, but now I think people are just realizing it is a gem.
16 of 18 people found the following review helpful:
- A top ten all-time rock offering
Fagan, Becker, Stokely Carmichael, et al, wrote, played, and produced this tribute to Buddism and early 70s sensabilities. It sure is one of the best rock offerings ever. MY OLD SCHOOL is THE mantra shouted at graduations all over the Western world. Boddistava is a prayer to the Buddist angel who watches over people currently alive. The jazzy rock sound is so easy on the ears. KING OF THE WORLD is about nuclear annihilation, and SHOW BIZ kids.....is about all of us. Energetic, feel good, and quite simply among the very best.
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