Disco de The Fall: “Bend Sinister”

"~This was the album that drew me into the world of The Fall, and I have never left. It was 1986, I was a sixth-former at Mangotsfield School (near Bristol in England), a nervous, shy, country-dwelling, poetry-loving Smiths fan with a deep interest in Science Fiction, an unhealthy obsession with Kate Bush, and an even unhealthier obsession with "Doctor Who" (an obsession which eventually bore fruit as I went on to write a couple of Doctor Who novels for the BBC in the late Nineties). private universe of imagination was full of horrors of my own making, I could see darkness and gloom everywhere and, though not wanting for anything, the future seemed mysterious, murky, scary and thrilling. What sort of music could take me through these teen-angst years? Kate Bush, as mentioned above, The Cure, The Smiths, David Bowie... but there was something missing. Where was the horror, the terror and thrill of the unknown? The cosy cardigans of Morrissey and the dark forests of Kate Bush"~ viewed safely from the window of a fire-lit room were soon to be challenged by - The Fall."~ etc, put something on the system which changed my life."~ ravening machine set loose; dangerous, yet thrilling; drop-dead cool and totally unconnected to anything before or since. I remember thinking, "How did they arrive at this?" It was from out of nowhere. Listening to it now, 14 years later, has the same effect. Never has a piece of music affected me so much. of dark machines and imagination unfettered. I have every Fall album, and though I like some of them better,"Bend Sinister" is the very heart of The Fall, a glinting, obsidian monolith to which the listener has no choice but beautiful surrender.

To me this is a great album (and the last great one they recorded up until 1995).

The music is strange and dark, but retains energy and tight construction. Elements of grunge, surf, prog-rock, goth, pop and other musics surround Smith's poetry. It coalesces much better on this enhanced UK running order than it did on the associated 1986 US LP release ("Domesday Triad Plus").

Not every track here is brilliant, but most are.

I've read a few things about how this record is one of their least memorable releases, yet I can't help but disagree. It's certainly more subdued and sparse than their other "big" sounding records, but all the classic Fall elements are still there: twisted lyrics, driving drum and bass, jagged guitar lines, and general goofiness. A treat to listen to!

A siniser album for sure. The production is a love-hate affair which begat a garage rock 'n' roll classic.

Shoulder Pads is a quirky-jaunty killer and Pharmacist is rightly recognised as one of the best cover versions in the history cover versions. US 80s-90s is an electro-punk masterpiece.

Good stuff from Brix, Mark and the band.

Any Fall record is worth it's weight in dirt-ridden gold and this is no exception. True it seems somewhat uneven when you pair two parts of Shoulder Pads and Mr Pharmacist with Living Too Late but the songs still shine despite the murkiness of it all. Though it has to be said that US 80s 90s is fantastic electro drum rock track and deserves to be twice as long as it is on this record. Worth the money