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Disco de The Fall: “Post Nearly Man”
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Fecha de Publicación:1998-01-01
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Tipo:Desconocido
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Género:Rock, New Wave, Old School Punk Rock
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Sello Discográfico:Artful
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Letras Explícitas:No
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UPC:5037111000129
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| Lista de temas : |
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| 1 |
Horror in Clay |
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| 2 |
Shad Segment |
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| 3 |
Caterer |
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| 4 |
I'm Bobby, Pt. 1 |
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| 5 |
CD in Your Hand |
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| 6 |
Enigrammatic Dream Video |
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| 7 |
Visit of an American Poet V 1 |
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| 8 |
Segment |
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| 9 |
Visitation of an American Poet |
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| 10 |
Visit of an American Poet V. 2 |
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| 11 |
I'm Bobby, Pt. 2 |
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| 12 |
Typewriter |
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| 13 |
Dissolute Singer |
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| 14 |
Lot in a Name |
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Análisis (en inglés) - :
Often referred to as {$the Fall} leader's first {\spoken word} album, {^Post Nearly Man} goes well past that with a messy bunch of {\sound collages} and bite-size chunks of {$Fall} music. The album comes off like the tape experiments and prose that appeared on {$Fall} B-sides on and off since 1984 or so with more purpose and room to roam. There's a wealth of overlapping voices, Dictaphone recordings, and oddball tape edits with an adaptation of an {%H.P. Lovecraft} story amongst it all. {$Smith} sounds coherent and inspired but there's a lot less of his voice than expected, with quite a bit of the disc given up to guest speakers. {$Smith} has referred to it as a "cursed" album, a record company idea and recorded in part at {$Dead or Alive} and {$Kylie Minogue} producer {$Pete Waterman}'s studio where the engineers never "got it." It's clumsy, unnecessary, and indulgent, but interesting and altogether listenable. ~ David Jeffries, All Music Guide
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