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Disco de The Fall: “Shift Work 2CD Set”
| Información del disco : |
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| Título: |
Shift Work 2CD Set |
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Fecha de Publicación:2007-01-01
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Tipo:Álbum
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Género:Rock, New Wave, Old School Punk Rock
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Sello Discográfico:Universal
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Letras Explícitas:Si
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UPC:00602498474648
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| Lista de temas : |
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| 1 -
1 |
So What About It? |
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| 1 -
2 |
Idiot Joy Showland |
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| 1 -
3 |
Edinburgh Man Video |
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| 1 -
4 |
Pitsville Direkt |
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| 1 -
5 |
The Book of Lies |
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| 1 -
6 |
The War Against Intelligence |
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| 1 -
7 |
Shift-Work |
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| 1 -
8 |
You Haven't Found It Yet |
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| 1 -
9 |
The Mixer Video |
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| 1 -
10 |
A Lot of Wind |
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| 1 -
11 |
Rose |
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| 1 -
12 |
Sinister Waltz |
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| 1 -
13 |
Rose |
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| 1 -
14 |
Sinister Waltz |
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| 2 -
1 |
White Lightning Video |
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| 2 -
2 |
Blood Outta Stone |
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| 2 -
3 |
Zargreb (Movement 1,2, 3) |
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| 2 -
4 |
Life Just Bounces Video |
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| 2 -
5 |
The Funeral Mix (12" Version) |
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| 2 -
6 |
High Tension Line |
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| 2 -
7 |
Xmas With Simon (12" Inch Version) |
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| 2 -
8 |
Don't Take The Pizza (12" Inch Version) |
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| 2 -
9 |
So What About It? (Remix 1) |
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| 2 -
10 |
So What About It? (Remix 2) |
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| 2 -
11 |
So What About It? (Remix 3) |
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| 2 -
12 |
XXX |
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| 2 -
13 |
XXX |
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| 2 -
14 |
Arid Al's Dream |
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| 2 -
15 |
XXX |
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| 2 -
16 |
XXX |
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| 2 -
17 |
XXX |
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| 2 -
18 |
XXX |
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| 2 -
19 |
Xmas With Simon |
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| 2 -
20 |
Don't Take The Pizza |
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| 2 -
21 |
So What About It? (Remix 1) |
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| 2 -
22 |
So What About It? (Remix 2) |
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| 2 -
23 |
So What About It? (Remix 3) |
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| 2 -
24 |
Re-Mixer |
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| 2 -
25 |
Cloud Of Black |
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| 2 -
26 |
Arid Al's Dream |
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| 2 -
27 |
War Against Intelligence |
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| 2 -
28 |
Idiot Joy Showland |
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| 2 -
29 |
Lot of Wind |
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| 2 -
30 |
Mixer Video |
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Análisis (en inglés) - :
{^Shift-Work} marked the sophomore effort from a new {$Brix}-less {$Fall} and is a slightly more subdued effort than the raging {^Extricate}. It also marked a new direction for {$Mark E. Smith} and the band as what once was repetitious grooves became interspersed with {\pop} song structures. Don't worry, the classic riffage is still here in {&"The War Against Intelligence,"} {&"Idiot Joy Showland,"} and {&"So What About It."} But there does seem to be a softening of {$Smith}, albeit slightly. He still rails against foolish {\pop} stars, mass media, and the spawn of the Manchester scene (side two is headed {&"Notebooks Out Plagiarists"}) but also here are paeons to Edinburgh ({&"Edinburgh Man,"} surprisingly malice-free), social observation ({&"Shift Work"} looks at a modern marriage and is more wistful than angry), and an electronics and violin led portrait of a DJ ({&"The Mixer"}). Probably what's most surprising is that in retrospect most of this works, although it begins to run out of steam near the end. There are hooks and melodies here, and the group ineffably remain {$the Fall}. The following year's {^Code: Selfish} would return to a much harder sound, leaving this a melancholic, introspective album. ~ Ted Mills, All Music Guide
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