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The Go-Betweens

The Go-Betweens Album: “Tallulah [Expanded]”

The Go-Betweens Album: “Tallulah [Expanded]”
Album Information :
Title: Tallulah [Expanded]
Release Date:2004-11-09
Type:Unknown
Genre:Indie Rock, Alternative Rock
Label:LO-MAX
Explicit Lyrics:Yes
UPC:5060088710029
Track Listing :
1 - 1 Right Here Video
1 - 2 You Tell Me Video
1 - 3 Someone Else's Wife
1 - 4 I Just Get Caught Out Video
1 - 5 Cut It Out Video
1 - 6 House That Jack Kerouac Built
1 - 7 Bye Bye Pride Video
1 - 8 Spirit of a Vampyre Video
1 - 9 Clarke Sisters
1 - 10 Hope Then Strife Video
1 - 11 Right Here (Multimedia Track)
1 - 12 Bye Bye Pride (Multimedia Track)
2 - 13 Time in the Desert Video
2 - 14 I Just Get Caught Out (Early Version)
2 - 15 Don't Call Me Gone
2 - 16 Right Here (Early Version)
2 - 17 If I Was a Rich Man/The House That Jack Kerouac Built (Radio Session)
2 - 18 When People Are Dead Video
2 - 19 Clarke Sisters (Early Version)
2 - 20 Little Romance
2 - 21 Bye Bye Pride (Radio Session) Video
2 - 22 Doo Wop in 'A' (Bam Boom) Video
Boxodreams "boxodreams@aol.com" (district of columbia) - September 02, 2007
2 of 2 people found the following review helpful:
- St. James Park

"Spirit of a Vampyre" is one of the most unjustly ignored songs in the Go-Betweens canon... It and the following "Clarke Sisters" are masterpieces by Robert Forster, but only the latter has gotten due recognition. "Vampyre," however, needs a boost in this ongoing swim in the dialogue about a band (See? I can refrain from gushing . . . for a second). The song opens with the absolutely classic line "I was slowly dying in a clinic just outside of L.A." over a jagged, nearly swaggering electric guitar riff. It is the comment of a cynic, a jaded hipster, a vampyre, full of exagerated self-importance. And the cracking open of this veneer begins in the very next line: "You came and saw me (thank you) that picked me up straight away." And, so we go on our way toward enlightenment, the richness of living, the end of late-night fears and ultimately, freedom. There is a glimpse of it in the first chorus ("That's when it starts") as the music shifts from the riff rock into an echoey, nearly psychedelic 60s chamber rock of resolving chords and background singers in breathy sighs, "Ahhhhh" (That's when it starts) and in the end, after the second verse, when all self has been given over to the open nature of love and possiblity ("I'm in deep, so blue with everything around you") the floodgates open, the resolving never ends, the sighing never ends, the chorus becomes open-ended to the fade and these final lyrics, full of acute perception, evocative, cryptic, nostalgic, sensuous and, ultimately, ecstatic:

That's when it starts. That's when it starts.

The electric train of soft cylinder parts

The dull mask of action on circus staff

Mobility the hood of the Hindu scarf

Together at last

Making jewellery at last.

St. James Park

For this alone, "Tallulah" is worth embracing.

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