Fotos de The Isley Brothers

Fotos más vistas de The Isley Brothers

Foto: Bon Jovi Pack in Hits and Hardcore Fans at Free Central Park Show

by: Jason King NOT A BOY, NOT YET A MAN should have been the subtitle to the special July episode of MTV’s My Super Sweet 16, in which Chris Brown, the Tappahannock, Va., triple-threat, celebrated his 18th birthday by hosting two concurrent New York parties: a private Off the Wall-themed gala for a star-studded adult crowd at Jay-Z’s 40/40 Club and a public bash for kiddie fans at Avalon nightclub. Brown is careful not to stray from that dual marketing strategy on Exclusive, the exuberant follow-up to his multiplatinum self-titled 2005 debut. He’s still the sensitive boy-next-door, earnestly pleading to girls on “Hold Up (Mr. Jones),” “Wait, wait a minute, I’m genuine with it / I ain’t trying to put no pimpin’ in it.” But on “Take U Down,” The Underdogs’ steamy Isley Brothers homage, Brown excels as streetwise lothario, bragging, “It ain’t my first time, but baby girl, we can pretend.” The dueling personas work, thanks to bombastic production. Bryan Michael Cox’s rock-inspired epic “Fallen Angel” and T-Pain’s hilariously campy “Kiss Kiss” are sublime showcases for Brown’s punchy tenor. Will.i.am’s “Picture Perfect” boasts catchy schoolyard chants, but its awkward oscillation between synth stabs and barbershop harmonies never quite jells. Later, recycling their chord progressions from Beyoncé’s “Irreplaceable,” Stargate delivers the sentimental guitar ballad “With U.” In the last seconds of that otherwise lilting ode to puppy love, Brown impulsively blurts out, “Ladies, I’m 18!” Still, this is a transitional record, re-establishing Brown as a heartthrob while leaving teenyboppers behind. But while he’s credited as a co-writer on nearly every track, it’s still hard to identify what distinguishes Brown from, say, Omarion or Mario. While Justin Timberlake has tried to fill Michael Jackson’s shoes by experimenting with pop-soul structure, Brown has only Jackson’s electrifying dance moves and charisma — his music rarely feels as inspired. And so, though Exclusive s

Publicado: 2008-03-13
Proveedor: VIBE

Eric Clapton’s $120,000 Graffiti Art Purchase: What Exactly Did He Buy? The Artist Speaks Out

This week news broke that Eric Clapton shelled out $120,000 to buy twelve paintings by legendary graffiti artist Lee Quinones; each work depicts a shoplifter grabbing an album from the Seventies, including James Brown’s Sex Machine and the Isley Brothers’ Get Into Something. The guitarist’s apparent love of graffiti art dates back at least a decade, when he attended a London show that featured Quinones and fellow train-to-canvas artists Stash and Futura. Clapton bought a few pieces and commissioned the artists to paint guitars for his concerts. So when Quinones was looking to sell his collection, he sent e-mails to Clapton and other famous fans of his work, like Debbie Harry, the Beastie Boys and ?uestlove. But before he could fire off the next round to Jay-Z and Russell Simmons, Clapton responded. “He was the first. Like within ten minutes. He must have been online,” Quinones laughs. “He never even saw them in person and was like, ‘Lee, they’re mine.’” This dirty dozen of paintings, as Quinones likes to call them, was inspired by his life in New York City in the Seventies. “I was painting all the time and to make money on the side, I was lifting records,” he says. “It fit into my agenda of lifting everything from coffee to paint. All I needed was paint and music to survive. I could live on water after that.” Each painting depicts Quinones’ hands slipping one album into his jacket. “The paintings are a celebration of the times, musicians and those songs,” he said. “The album covers are meticulously reproduced because they were also beautiful pieces of art. These paintings are exploding with color and then have a ghostly image of my hand — a kind of skimpy drawing of my hand to symbolize that I had to be invisible in that store ’cause you knew you had to go back in and do it again.” The series is currently on exhibit at New York’s PS1 until

Publicado: 2007-08-17
Proveedor: Rolling Stone
Etiquetas: Rock News