Bon Jovi Pack in Hits and Hardcore Fans at Free Central Park Show “This is the Great Lawn in the greatest park, in the greatest city in the universe,” Jon Bon Jovi marveled before performing what easily could have been one of the biggest concerts New York City’s Central Park has ever seen. Over 67,500 free tickets were distributed to the 50,000-capacity space — a solid chunk going to fans who flew in from other states, bid desperately on eBay and even camped out from 6 PM the night before to attend the two-hour MLB All-Star Week performance. A woman in the front of the crowd with an ankle-to-knee cast spoke before the show about how she popped her knee Thursday. “All I could think was: how am I going to get to Bon Jovi?” she said. The band played hits spanning a 25-year career — everything from “Livin’ on a Prayer” and “You Give Love a Bad Name” off 1986’s Slippery When Wet to more recent hits like “Have a Nice Day” and “Who Says You Can’t Go Home.” The band spiced up tunes like “I’ll Sleep When I’m Dead” with bridges from the Beatles’ “Twist and Shout,” and interrupted their performance of “Bad Medicine” with a high-energy excerpt from the Isley Brothers’ “Shout.” [Photo: Getty]
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Published: 2008-07-15
Provider: Rolling Stone
Keywords: Rock News, Live Shows
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Eric Clapton’s $120,000 Graffiti Art Purchase: What Exactly Did He Buy? The Artist Speaks Out This week news broke that Eric Clapton shelled out $120,000 to buy twelve paintings by legendary graffiti artist Lee Quinones; each work depicts a shoplifter grabbing an album from the Seventies, including James Brown’s Sex Machine and the Isley Brothers’ Get Into Something. The guitarist’s apparent love of graffiti art dates back at least a decade, when he attended a London show that featured Quinones and fellow train-to-canvas artists Stash and Futura. Clapton bought a few pieces and commissioned the artists to paint guitars for his concerts. So when Quinones was looking to sell his collection, he sent e-mails to Clapton and other famous fans of his work, like Debbie Harry, the Beastie Boys and ?uestlove. But before he could fire off the next round to Jay-Z and Russell Simmons, Clapton responded. “He was the first. Like within ten minutes. He must have been online,” Quinones laughs. “He never even saw them in person and was like, ‘Lee, they’re mine.’” This dirty dozen of paintings, as Quinones likes to call them, was inspired by his life in New York City in the Seventies. “I was painting all the time and to make money on the side, I was lifting records,” he says. “It fit into my agenda of lifting everything from coffee to paint. All I needed was paint and music to survive. I could live on water after that.” Each painting depicts Quinones’ hands slipping one album into his jacket. “The paintings are a celebration of the times, musicians and those songs,” he said. “The album covers are meticulously reproduced because they were also beautiful pieces of art. These paintings are exploding with color and then have a ghostly image of my hand — a kind of skimpy drawing of my hand to symbolize that I had to be invisible in that store ’cause you knew you had to go back in and do it again.” The series is currently on exhibit at New York’s PS1 until
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Published: 2007-08-17
Provider: Rolling Stone
Keywords: Rock News
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