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The Velvet Underground

Disco de The Velvet Underground: “Velvet Underground [Japan]”

Disco de The Velvet Underground: “Velvet Underground [Japan]”
Información del disco :
Título: Velvet Underground [Japan]
Fecha de Publicación:2002-08-26
Tipo:Desconocido
Género:Rock, Classic Rock, Adult Alternative
Sello Discográfico:Universal
Letras Explícitas:Si
UPC:4988005311429
Lista de temas :
1 Candy Says Video
2 What Goes On Video
3 Some Kinda Love Video
4 Pale Blue Eyes Video
5 Jesus Video
6 Beginning to See the Light Video
7 I'm Set Free Video
8 That's the Story of My Life Video
9 Murder Mystery
10 After Hours Video
Análisis (en inglés) - :
Upon first release, {$the Velvet Underground}'s self-titled third album must have surprised their fans nearly as much as their first two albums shocked the few mainstream music fans who heard them. After testing the limits of how musically and thematically challenging {\rock} could be on {^Velvet Underground & Nico} and {^White Light/White Heat}, this 1969 release sounded spare, quiet, and contemplative, as if the previous albums documented some manic, speed-fueled party and this was the subdued morning after. (The album's relative calm has often been attributed to the departure of the band's most committed avant-gardist, {$John Cale}, in the fall of 1968; the arrival of new bassist {$Doug Yule}; and the theft of the band's amplifiers shortly before they began recording.) But {$Lou Reed}'s lyrical exploration of the demimonde is as keen here as on any album he ever made, while displaying a warmth and compassion he sometimes denied his characters. {&"Candy Says,"} {&"Pale Blue Eyes,"} and {&"I'm Set Free"} may be more muted in approach than what the band had done in the past, but {&"What Goes On"} and {&"Beginning to See the Light"} made it clear {$the VU} still loved {\rock & roll}, and {&"The Murder Mystery"} (which mixes and matches four separate poetic narratives) is as brave and uncompromising as anything on {^White Light/White Heat}. This album sounds less like {$the Velvet Underground} than any of their studio albums, but it's as personal, honest, and moving as anything {$Lou Reed} ever committed to tape. [{@Universal} issued a Japanese edition in 2002.] ~ Mark Deming, All Music Guide
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