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Toots and The Maytals

Toots and The Maytals Album: “Originals [Charly 1999]”

Toots and The Maytals Album: “Originals [Charly 1999]”
Album Information :
Title: Originals [Charly 1999]
Release Date:1999-07-01
Type:Unknown
Genre:Reggae, Ska
Label:Charly
Explicit Lyrics:Yes
UPC:4017692336627
Track Listing :
1 It's You Toots & the Maytals Video
2 Daddy Video
3 Never You Change Toots & the Maytals Video
4 If You Act This Way Video
5 It's No Use Video
6 You Make Me Feel The Way I Do Video
7 What's On Your Mind Video
8 My New Name Video
9 Fever Video
10 She Will Never Let Me Down Video
11 I Know Video
12 Tell Me The Reason Video
13 It's You (Alternate Take)
14 Daddy (Alternate Take)
15 Never You Change (Alternate Take)
16 What's on Your Mind (Alternate Take)
17 Bam Bam (Alternate Take)
18
19
Review - :
With their {\gospel} fervor and fiery lead vocals from {$Frederick "Toots" Hibbert}, {$the Maytals} (who also include singers {$Jerry Matthias} and {$Raleigh Gordon}) have managed to connect the compass points of hard {\gospel}, African {\blues}, {\Memphis soul}, driving {\ska}, and conscious {\roots reggae} for more than 40 years now. This collection of {\ska} stompers takes you back to the very beginning of that career. Most of these sides were recorded in 1965 for producer {$Byron Lee} shortly before {$Toots} was arrested and tossed in prison for ganja possession. The {\ska}-era {$Maytals} were even more rough-hewed than the later {\roots reggae} version, if that's possible, and there is a delightful feel of {\gospel}-fueled chaos to these tracks, most of which are punctuated by blasts of saxophone and trumpet. While cuts like {&"Never You Change,"} {&"Daddy,"} and {&"Fever"} hint at the magic this group would produce a couple years down the road, truthfully this set is for {$Maytals} fanatics only. Yes, {$Toots} is a ball of fervent energy here, and the rest of {$the Maytals} match him burst for burst, but {$Toots}' songwriting hadn't quite matured, and the group was still learning how to bring all that energy into focus, giving these tracks all the stage dynamics of an explosion -- but then where do you go for the second verse? The bonus tracks offered here, which include the fine {&"Sweet and Dandy"} and {&"Pomps and Pride,"} both produced by {$Leslie Kong}, show that {$Toots & the Maytals} figured out what to do with all that energy in short order. ~ Steve Leggett, All Music Guide
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