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Picture: Thurston Moore, J Mascis, Be Your Own Pet Blow Minds, Amps at SXSW

Fricke’s Picks: The Octopus Project, “Murder Ballads and Disaster Songs 1913-1938? and Roy Wood

Happy Machine Music Machines don’t make music — people do. And going by the bright action-packed gurgle, bam and squeak of their third album, the Octopus Project — a mostly instrumental analog-electronics dance band from Austin, Texas — are smart pop scientists and total party animals, like Stereolab with happy feet. And a stopwatch — the thirteen songs on Hello, Avalanche (Peek-A-Boo) are all tightly composed bundles of synthesized whoop and circus-calliope cheer, dotted with throaty Duane Eddy-treble guitar and powered by prancing-elephant drumming. The closest thing here to conventional club-remix electronica is the thumping near-techno of “MMAJ.” But for all of the willful yesterday in the Octopus Project’s discothèque blend of Switched-On Bach and Kraftwerk’s Autobahn, there is a delightful, disciplined modernism in the album’s brisk parade of hooks and the songs’ densely layered brevity. Compared to the purple-surf rock of “Bees Bein’ Strugglin’ ” and the mermaid-choir effect of Yvonne Lambert’s theremin in “I Saw the Bright Shinies,” the Prodigy are so 1997. Apocalypse Then American folk and blues were, in the early twentieth century, more than entertainment. They were broadcasting. Long before there was a Fox News, country pickers the Skillet Lickers, the balladeer Blind Alfred Reed, the slide guitarist and yodeler Cliff Carlisle and the prewar blues legend Charlie Patton were the “We Report, You Decide” network of their day: adapting the terrible things that happened to good people in real life — floods, murders, train wrecks, disease, crop failures — into lyrical bulletins, waltz tunes and moral hymns that long outlived the headlines and police reports that inspired them. People Take Warning! Murder Ballads and Disaster Songs 1913-1938 (Tompkins Square) is nothing but that bad mojo made poetic. You already know some of these tales, in electrified form — Kansas

Published: 2007-11-24
Provider: Rolling Stone
Keywords: Fricke's Picks

Maynard James Keenan’s Puscifer: Tool Leader Speaks on Enigmatic Side Project

When you say the name of Maynard James Keenan’s new recording project, Puscifer, it is “Pus as in Puss’n'Boots,” says the Tool singer on a recent afternoon at Electric Lady Studios in New York. “Not as in a boil,” he adds with a dry chuckle. Keenan, working on the record on a rare day away from Tool’s current world tour, explains that Puscifer “is my attempt to make music to inspire people. Heavy rock is sinking, the industry is dying. This is definitely not thinking man’s music” — elliptically referring to Tool’s dense, serpentine metal — “but groove-oriented music that makes you feel good.” The music Keenan previews at Electric Lady is suitably provocative, with a good-time roll. “Queen B” features a bee’s nest of overlapping, processed vocals — including Keenan’s own deep country baritone — over noir-ish hip-hop drumming, like Keenan’s previous side outing, A Perfect Circle, in Tennessee-midnight-radio dub. “Dojo” is marching percussion and sinister electronics with what sounds like the death gulp of a Duane Eddy-treble guitar. “World Up My Ass” is Keenan’s version of the 1980 Circle Jerks song — total psychic collapse as straight-up backwoods fun. “Country Boner” is delightfully offensive and something of an antique — a cover of a song by the Illinois garage band Electric Sheep, which featured pre-Tool guitarist Adam Jones and his high school buddy, Tom Morello, later in Rage Against The Machine. Keenan describes Puscifer as “more of a collaboration” than a group. Contributors include Primus drummer Tim Alexander, guitarist-soundscaper Jonny Polonsky and, on vocals, Lisa Germano and actress Milla Jovovich. And Keenan says the music could end up as more than just an album, which he expects to issue in October. “I’d like to release it in different ways — maybe two songs at a time, every three

Published: 2007-07-19
Provider: Rolling Stone
Keywords: Rock News