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Underworld

Disco de Underworld: “Hundred Days Off [Australia Bonus Tracks]”

Disco de Underworld: “Hundred Days Off [Australia Bonus Tracks]”
Información del disco :
Título: Hundred Days Off [Australia Bonus Tracks]
Fecha de Publicación:2003-02-18
Tipo:Desconocido
Género:Electronic/Dance, House
Sello Discográfico:
Letras Explícitas:Si
UPC:9326382006173
Lista de temas :
1 - 1 . Momove
1 - 2 . Twomonthsoff
1 - 3 .
1 - 4 . Solasistim
1 - 5 .
1 - 6 .
1 - 7 . EssGee
1 - 8 . DinosaurAdventure3D
1 - 9 . BalletLane
1 - 10 .
2 - 11 . Rez/Cowgirl [Live]
2 - 12 . Twomonthsoff [Kinguniquesunspotsvocalremix]
2 - 13 . DinosaurAdventure3D [Funkdvoidfulllength]
2 - 14 . DinosaurAdventure3D [Darrenprinceremix]
2 - 15 . TwoMonthsOff [Video][Multimedia Track]
2 - 16 . DinosaurAdventure3D [Video][Multimedia Track]
Análisis (en inglés) - :
As if they didn't have to prove they're still viable as a commercial and artistic outfit, {$Underworld}'s {$Rick Smith} and {$Karl Hyde} faced an additional challenge for {^Hundred Days Off} -- prove to the dance cognoscenti they could withstand the loss of {$Darren Emerson}, the producer who kick-started the band when he joined in 1992. Unfortunately, the results prove only that {$Emerson} most likely did contribute a certain something, now lacking, to the three LPs he graced. {$Underworld}'s trademarked sound, however, is mostly a creation of {$Smith} and {$Hyde}, and present from the opener, {&"Mo Move,"} wherein a dizzying cycle of gurgling bass, crepe paper percussion, and sequencers set off {$Hyde}'s lonely, adrift vocals. The album also reaches an early peak on {&"Two Months Off,"} with a repeated synthesizer riff playing off a brilliant succession of harmonies and basslines, with a hypnotizing performance by {$Hyde} over the top. From there, the album heads off into a succession of overly familiar tracks, either po-mo {\acid house} {\blues} à la {^Dubnobasswithmyheadman} ({&"Sola Sistim,"} {&"Trim,"} {&"Ballet Lane"}) or {\minimalist}, pinpoint {\techno} ({&"Dinosaur Adventure 3D,"} {&"Luetin"}). Surprisingly, counter to expectations after the brash youngster leaves the fold, {^Hundred Days Off} doesn't suffer from the oldster syndrome; the production is edgy and up-to-date as usual, but the songs lack the energy, the feeling, and even the melody of {$Underworld}'s classic records. [The Australian tour edition of {^Hundred Days Off} included an extra CD of mixes and multimedia content.] ~ John Bush, All Music Guide
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