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Violent Femmes

Violent Femmes Album: “Permanent Record: The Very Best of Violent Femmes”

Violent Femmes Album: “Permanent Record: The Very Best of Violent Femmes”
Album Information :
Title: Permanent Record: The Very Best of Violent Femmes
Release Date:2005-07-12
Type:Unknown
Genre:Adult Alternative, New Wave, Indie Rock
Label:Slash
Explicit Lyrics:No
UPC:081227847265
Track Listing :
1 Gimme the Car Video
2 Blister in the Sun Video
3 Gone Daddy Gone/I Just Want To Make Love To You
4 Kiss Off Video
5 Add It Up Video
6 Black Girls Video
7 Jesus Walking on the Water Video
8 Children of the Revolution Video
9 I Held Her in My Arms Video
10 Nightmares Video
11 American Music Video
12 Breakin' Up Video
13 Color Me Once Video
14 I Danced Video
15 Country Death Song Video
16 Freak Magnet Video
17 (Untitled Hidden Track)
18 (Untitled Hidden Track)
19 (Untitled Hidden Track)
20 Good Feeling Video
Review - :
When {@Slash/Reprise} released {^Add It Up (1981-1993)} in September of 1993, it was a bit of a slap in the face for die-hard {$Violent Femmes} fans. Though the 23 tracks of "hits," rarities, and live cuts were more than appreciated, the group's supporters were once again forced to try explaining to the unconverted what the fuss was all about. Ever since their self-titled debut, which has become a right of passage for anyone embarking on puberty, fans have had to defend the group's forays into {\folk}, {\country}, {\jazz}, {\pop}, and {\rock}, not to mention their protagonist's constant battle with spirituality both Christian and demonic, with equal parts passion and frustration. {^Permanent Record: The Very Best Of} is a more coherent collection by far, providing both longtime fans and newbies with a solid hour of concise teen, artistic, and spiritual angst, most of which is just as cathartic now as it was in the '80s. The fact that such sexually charged and explicit songs as {&"Add It Up"} and {&"Blister in the Sun"} have found such a secure place in American pop culture is a testament not only to the group's raw talent, but its timeliness. In an era when {\punk} sold out to corporate {\pop}, the trio's bare-bones acoustic setup and melodic teen-rage sarcasm inspired a cultlike fervor among those who were willing to take the trip, and what a strange trip indeed. That the schoolyard simplicity of a track like {&"Kiss Off"} would lead to a full {$John Zorn} freak-out horn section on the subversive anthem {&"Black Girls,"} or that an old {\Appalachian} {\praise & worship} number ({&"Jesus Walking On the Water"}) would share the same slab of vinyl as the murderous {&"Country Death Song,"} goes so far beyond the term "forward-thinking" -- or more appropriately, polarizing -- that it's a wonder anybody had the nerve to follow them at all. {^Permanent Record} captures all of the schizophrenic bliss that fueled the group's long road to legend without all the filler that made {^Add It Up} such a challenge for the uninitiated. ~ James Christopher Monger, All Music Guide
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