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Indigo Girls

Indigo Girls Album: “Rites of Passage [Remaster]”

Indigo Girls Album: “Rites of Passage [Remaster]”
Description :
Indigo Girls: Amy Ray, Emily Saliers (vocals, guitar). <p>Additional personnel: John Jennings, Cooper Seay (guitar); Donal Lunny (mandolin, bouzouki, bodhran); Lisa Germano, Nollaig Ni Chathasaigh (fiddle); Martin McCarrick (cello, accordion); Ronan Browne (Uilleann pipes, low whistles); Sandy Garfinkle (harmonica); Jerry Marotta (piano, drums, percussion); Maggie Roche (piano, background vocals); Jai Winding (piano); Benmont Tench (organ); Edgar Meyer, Sara Lee (bass); Kenny Aranoff (drums, percussion); Simone Simontow, Talvinde Singh, Budgie (percussion); Sue Owens (handclaps); David Crosby, Jackson Browne, Terre Roche, Suzzy Roche, Michael Lorant (background vocals). <p>Recorded at Bearsville Studios, Woodstock, New York. <p>Indigo Girls: Amy Ray, Emily Saliers (vocals, guitar). <p>Additional personnel: John Jennings, Cooper Seay (guitar); Donal Lunny (mandolin, bouzouki, bodhran); Lisa Germano, Nollaig Ni Chathasaigh (fiddle); Martin McCarrick (cello, accordion); Ronan Browne (Uilleann pipes, low whistle); Sandy Garfinkle (harmonica); Jerry Marotta (piano, drums, percussion); Maggie Roche (piano, background vocals); Jai Winding (piano); Benmont Tench (organ); Edgar Meyer, Sara Lee (bass); Budgie (marimba, drums, claves); Kenny Aranoff (drums, percussion); Simone Simontow, Talvinde Singh (percussion); Sue Owens (handclaps); David Crosby, Jackson Browne, Terre Roche, Suzzy Roche, Michael Lorant (background vocals). <p>Producer: Peter Collins. <p>Reissue producer: Bruce Dickinson. <p>Recorded at Bearsville Studios, Woodstock, New York. Originally released on Epic (48865). Includes liner notes by Emily Saliers. <p>Digitally remastered by Scott Hull (Classic Sound Studios, New York, New York). <p>This is a limited edition packaged in a recycled paper digipak. <p>Indigo Girls: Amy Ray, Emily Saliers (vocals, guitar). <p>Additional personnel: John Jennings, Cooper Seay (guitar); Donal Lunny (mandolin, bouzouki, bodhran); Scarlet Rivera (violin); Lisa Germano, Nollaig Ni Chathasaigh (fiddle); Martin McCarrick (cello, accordion); Jane Scarpantoni (cello); Ronan Browne (Uilleann pipes, low whistles); Sandy Garfinkle (harmonica); Jerry Marotta (piano, drums, percussion); Maggie Roche (piano, background vocals); Jai Winding (piano); Benmont Tench (organ); Edgar Meyer, Sara Lee (bass); Kenny Aranoff (drums, percussion); Simone Simontow, Talvinde Singh, Budgie (percussion); Sue Owens (handclaps); David Crosby, Jackson Browne, Terre Roche, Suzzy Roche, Michael Lorant (background vocals). <p>Producer: Peter Collins. <p>Reissue producer: Bruce Dickinson. <p>Engineers: Pat McCarthy, Don McCollister. <p>Recorded at Bearsville Studios, Woodstock, New York and live at Eddie's Attic, Atlanta, Georgia on April 4, 1993. Includes liner notes by Emily Saliers. <p>Digitally remastered by Scott Hull (Classic Sound, New York, New York). <p>Amy Ray and Emily Saliers have been playing music together since they met as young girls. RITES OF PASSAGE marks a creative and artistic watershed for the duo. The album strikes a fine balance between politics and romance, rhythm and melody, and acoustic and electric musicianship. <p>RITES OF PASSAGE features special guests and memorable songs and performances. The album's standout tracks demand attention. The political "Three Hits" is classic Amy Ray. "Galileo" finds Saliers exploring philosophical matters (again) and features backing vocals by Jackson Browne and David Crosby. "Ghost" is a haunting reminder of the power of lost love. Indigo Girls cover Dire Straits' "Romeo and Juliet," and The Roches guest on the original fear-of-flying hymn "Airplane." Siouxsie and the Banshees drummer Budgie, bassist Sara Lee, and fiddler Lisa Germano also lend strong musical support. The depth and breadth of the Indigo Girls' songwriting on RITES OF PASSAGE will keep even the most discerning listeners happy. This is one for Indigo novices and fans alike. <p>Amy Ray and Emily Saliers have been playing music together since they met as young girls. RITES OF PASSAGE marks a creative and artistic watershed for the duo. The album strikes a fine balance between politics and romance, rhythm and melody, and acoustic and electric musicianship. <p>RITES OF PASSAGE features special guests and memorable songs and performances. The album's standout tracks demand attention. The political "Three Hits" is classic Amy Ray. "Galileo" finds Saliers exploring philosophical matters (again) and features backing vocals by Jackson Browne and David Crosby. "Ghost" is a haunting reminder of the power of lost love. Indigo Girls cover Dire Straits' "Romeo and Juliet," and The Roches guest on the original fear-of-flying hymn "Airplane." Siouxsie and the Banshees drummer Budgie, bassist Sara Lee, and fiddler Lisa Germano also lend strong musical support. The depth and breadth of the Indigo Girls' songwriting on RITES OF PASSAGE will keep even the most discerning listeners happy. This is one for Indigo novices and fans alike. <p>Amy Ray and Emily Saliers have been playing music together since they met as young girls. RITES OF PASSAGE marks a creative and artistic watershed for the duo. The album strikes a fine balance between politics and romance, rhythm and melody, and acoustic and electric musicianship. <p>RITES OF PASSAGE features special guests and memorable songs and performances. The album's standout tracks demand attention. The political "Three Hits" is classic Amy Ray. "Galileo" finds Saliers exploring philosophical matters (again) and features backing vocals by Jackson Browne and David Crosby. "Ghost" is a haunting reminder of the power of lost love. Indigo Girls cover Dire Straits' "Romeo and Juliet," and The Roches guest on the original fear-of-flying hymn "Airplane." Siouxsie and the Banshees drummer Budgie, bassist Sara Lee, and fiddler Lisa Germano also lend strong musical support. The depth and breadth of the Indigo Girls' songwriting on RITES OF PASSAGE will keep even the most discerning listeners happy. This is one for Indigo novices and fans alike.
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Track Listing :
1 Three Hits Video
2 Galileo Video
3 Ghost Video
4 Joking Video
5 Jonas and Ezekial Video
6 Love Will Come to You Video
7 Romeo & Juliet
8 Virginia Woolf Video
9 Chickenman Video
10 Airplane Video
11 Nashville Video
12 Let It Be Me Video
13 Cedar Tree Video
14 Three Hits - (live)
15 Love Will Come to You - (live)
Album Information :
Title: Rites of Passage [Remaster]
UPC:074646157626
Format:CD
Type:Performer
Genre:Folk
Artist:Indigo Girls
Guest Artists:Lisa Germano; The Roches; Jackson Browne; Sara Lee; David Crosby
Label:Epic (USA)
Distributed:Sony Music Distribution (
Release Date:2000/10/24
Original Release Year:1992
Discs:1
Mono / Stereo:Stereo
Studio / Live:Studio
Steven E. Wonchoba (Minneapolis, MN USA) - May 22, 2002
19 of 22 people found the following review helpful:
- The standard by which all others are measured.

This is my favorite IG album, and if you are starting your collection, it is probably the first one you should pick up. Emily is at her best -- "Gallileo" & "Virginia Woolf" are stellar. It also includes one of Amy's masterpieces, the oft-debated "Chickenman" (one of the only IG songs to repeatedly show up both on fans' most liked and least liked Indigo Girls songs). Like it or hate it, Chickenman is not standard IG fair, but it has become a staple of their live show, and it has an absolutely infectious rhythm backbone.

Musically, there is no denying that this album is truly brilliant. But perhaps even more notably, the lyrical content of this album makes it also one of the most cohesive works in the Girls' catalog. The album seems to have a central focus on coping with death, life after death, and communication with the deceased. Heavy, dark topics, indeed, but the Girls manage to explore these topics in such a way that we are somehow left feeling good. Observe:

"Galileo" puts a clever slant on reincarnation by not only exmianing a soul's past lives, but also it's future lives: The song's take home message is that we should live the best we can and straighten things up in this life in order to not only "let the next life off the hook", but also to prevent it from being able to cast blame upon past lives for its own situation. Brilliant!

In "Virginia Woolf", Emily presents an alternate interpretation of immortality, allowing spirits to live forever by simply learning about their lives and carrying on their message. This song contains a brilliant metaphor -- communicating with deceased spirits "kind of like a telephone line through time".

In "Ghost", one of Emily's most beautiful arrangements, she laments the loss of a loved one, yet we feel she is almost content to be able to communicate with the passed spirit, even if it is only fleeting.

The sprightly "Airplane", as bright as the music is, hides perhaps the darkest lyrics on the album, in which Emily prepares for death, "making a deal" with God to clean up her act if He spares her. The Roches make an appearance on this song, and their signature "slightly off key" vocal hoarmonization is brilliantly placed in this song, somehow giving us the feel that the airplane is already in the process of crashing. It's almost eerie.

Finally, Amy's "Cedar Tree" deals very explicitly with the passing of a loved one. But it lifts up our spirits with a very sprightly Celtic jig, that is still not out of place in such a dark song.

In the end, after listening to this album, you'll feel like you've gone on a journey, visiting past lives, communicating with those who have passed, and exploring the afterlife. And you will feel strangely refreshed. An absolutely brilliant album.

Sandra Novotny - August 25, 2006
7 of 7 people found the following review helpful:
- A MUST have for every collection!

Beautiful music, intelligent lyrics, what more could you ask for. I first heard this album at the tender age of 14 (I am almost 30 now) while I was working at a music store. One of my coworkers was obsessed with this album and kept playing it in the store. After awhile I realized I was singing it at home and school, and I bought myself a copy.

I love music, and own an uncountable number of CDs. But I think I can safely say THIS CD is my favorite of them all! The lyrics are intelligent and elegantly crafted, the music is moving. Galileo (with it's make you think factor) is my favorite song on the CD, with a romeo and juliet coming in 2nd for it's humor factor. Ghost can make you feel emotions stir at your very core if you have ever lost a lover. After 16 years of hearing Ghost, it can still make me cry.

This CD is great for taking in the car, especially on long drives. Do yourslef a favor and get this one.

Customer review - August 22, 2003
6 of 6 people found the following review helpful:
- Excellent

One of the most moving and heartfelt collections of music I've heard. After almost 3 years, it's still one of my most played CDs. The lyrics could stand alone. Amazing. Listen and enjoy.

Morten Vindberg (Denmark) - February 20, 2005
3 of 3 people found the following review helpful:
- One of Their Best!

Until this album Amy Ray may have been a little in the shadow of Emily Saliers, when it came to songwriting. It's beyond question that Ray adds a lot of edge (necessary) to the sound of the Indigo Girls; but with songs like "Three Hits", "Jonas and Ezekial" and "Nashville" Amy's songwriting is also beginning to catch up Emily's.

In fact, I think that several of Emily's songs on this album are harder to get into than hers usually are. My favourite Emily songs here are "Galileo", "Let it Be Me" and "Airplane".

This is one the most consistent Indigo Girls albums, and one of my favourites!

Once again the girls are supported famous friends such as Benmont Tench, Jackson Browne, David Crosby and regulars Sara Lee, Lisa Germano and Jerry Marotta.

Nicole Grotepas "Wibbly wobbly timey wimey" (Lehi, UT United States) - November 08, 2000
12 of 16 people found the following review helpful:
- their best album

This is the first Indigo Girls album I ever heard and eventually owned. The lyrics of "Ghost" and "Love Will Come to You" are hauntingly beautiful and resonate with the universal theme of lost love---but with "Ghost," it is more than simply lost love. How could anyone refute that the words "[N]ow I see your face before me / I would launch a thousand ships / to bring your heart back to my island / as the sand beneath me slips / as I burn up in your presence / I know now how it feels / to be weakened like Achilles / with you always at my heels . . ." are not some of the most articulate and poignant lyrics within the realm of song? "Ghost" is not the only amazing song on the album, "Galileo," "Let it Be Me," and "Cedar Tree," all recommend it. Though I have several of their other albums, "Rites of Passage" remains my favorite.

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